Sudpsuez Gardens Illustrated: The New Beautiful
$85.00
Description
Words by The Editors Of Gardens Illustrated
Introduction by Stephanie Mahon
The first book from today’s leading garden magazine, renowned for its stylish features, outstanding photography, and top-notch garden writing full of insights and advice. The editors have selected over fifty of their favorite gardens in a mix of scales and in a variety of climates to appeal to garden enthusiasts everywhere.
Gardens Illustrated is today’s most popular gardening periodical, thanks to its lavishly photographed features on contemporary, forward-thinking gardens that focus on irresistible plants and clever designs. Through these gardens, each selected by the magazine’s editors for a truly exceptional trait, readers will visit the best new gardens from the United States, United Kingdom, and around the world. The scales range from small city spaces aiming to bring biodiversity deep into the built environment to country estates photographed with a new lens on ecology and sustainability, and were created by today’s top garden designers, including Andrea Cochran, Arabella Lennox-Boyd, Peter Korn, Dan Pearson, Andy Salter, Tom Stuart-Smith, Andy Sturgeon, Urquhart & Hunt, and Keith Wiley.
From loose, waving gardens that appear as unexpected mini meadows and support wildlife in small urban backyards to pleached hornbeams that act as a living fence to distinguish the borders of a lush patio from the landscape beyond and gardens that show the best new ideas for hardscape, pathways, fountains, and pergolas, readers will take away hundreds of ideas for incorporating successful plant combinations and other design elements into their own home gardens. Text by the best garden writers relays plenty of plant identification information, tips for successful growth, and most important, provides insight into how these top designers conceived of and implemented the ideas that make each and every featured garden a place full of memorable atmosphere, charm, and relaxation.
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Sudpsuez A Mechanical Bestiary: Automaton Clocks from the Renaissance by Alexis Kugel
Words by Alexis Kugel
This exhibition, Galerie Kugel’s tenth, continues the tradition of seeking out little-known but fascinating fields in the art world. Renaissance automaton clocks have never been the subject of scientific study, authors of horological reference works devoting at best merely a chapter to them.
These automaton clocks date from 1580 to 1630 and were for the most part created in Augsburg, the main German artistic centre of the time. These wonderful objects combine the arts of sculpture and horology. Rivalling in fantasy and ingenuity, they fascinated the European courts. Today, they can be found in museums holding great princely collections in Vienna, Dresden, Munich. Automaton clocks were also used as diplomatic presents.
The thirty-one automaton clocks presented in this exhibition and book are the largest group ever displayed. While studying them we have made surprising discoveries. For example, the troubling similarities between some of the most extraordinary anonymous clocks displayed here: the Elephant (cat. 3), the large Pacing Lion and his Tamer (cat. 7), the large Seated Lion (cat. 9), and the Chariot of Bacchus (cat. 11), which strongly argue for their having been produced in the same workshop. Among all the clocks published in this book, only one comes from Nuremberg (cat. 21). The chronological presentation that we chose also led us to rethink the conventional dating of certain pieces.
The title “Mechanical Bestiary” is somewhat restrictive, for among the clocks presented here, a quarter represent human figures without animals, and certain pieces possess no mechanical movements. Yet the thirty-one pieces assembled here clearly form a homogeneous and coherent whole. All were created for the same reason: to amuse and delight the collectors of their time.
Sudpsuez Borrowed Landscapes: China and Japan in the Historic Houses and Gardens of Britain and Ireland Emile de Bruijn
Words by Wydanie: Angielski
A beautifully illustrated exploration of the impact of Chinese and Japanese material culture on the historic houses and gardens of Britain and Ireland.
The art and ornament of China and Japan have had a deep impact in the British Isles. From the seventeenth century onwards, the design and decoration of interiors and gardens in Britain and Ireland was profoundly influenced by the importation of Chinese and Japanese luxury goods, while domestic designers and artisans created their own fanciful interpretations of 'oriental' art. Those hybrid styles and tastes have traditionally been known as chinoiserie and japonisme, but they can also be seen as elements of the wider and still very relevant phenomenon of orientalism, or the way the West sees the East.
Illustrated with a wealth of new photography and published in association with the National Trust, Borrowed Landscapes is an engaging survey of orientalism in the Trust's historic houses and gardens across England, Wales and Northern Ireland. Drawing on new research, Emile de Bruijn demonstrates how elements of Chinese and Japanese culture were simultaneously desired and misunderstood, dismembered and treasured, idealised and caricatured.
Published by Philip Wilson Publishers
Sudpsuez Flower Couture: From My Garden to My House
Words by Cordelia De Castellane,
Photography by Billal Taright
A second book by French tastemaker Cordelia de Castellane, celebrating her garden as an endless source of inspiration for entertaining.
Cordelia de Castellane, true ambassador of French lifestyle, returns with a sequel to Life in a French Country House and offers her inspiring ideas and secrets for gardening, unique flower arranging, and entertaining.
De Castellane turns her eyes to the gorgeous garden of her own private residence in the French countryside to offer insight into how she makes nature her muse. From delicate spring blossoms to vibrant summer bouquets starring on sun-kissed tables, autumnal herbariums, and enchanting winter fetes, each chapter is about a color of her favorite flowers and is complete with informative captions and texts uncovering her tips for living and entertaining à la française. De Castellane offers her recipes for bouquets and perfect tablescaping with examples from her own house: readers discover the journey of a flower from the garden to the tabletop. This book is a must-have guide on how to imbue every day with flair, beauty, and joie de vivre.
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Sudpsuez Francois Halard: Art and Flowers
Words by Francois Halard
The master photographer’s compelling images of his two most intimate passions: art and flowers.
“His photography has an innate capacity to evoke emotion and tell stories that linger in the mind long after the image is seen,” writes Dries Van Noten in the foreword to this two-volume series of images.
Long revered for his personal photography of the world’s most celebrated buildings and interiors, Halard strikes a new path with two new bodies of work. Confined to his house in Arles after a shoulder injury in early 2024, Halard began photographing the objects immediately surrounding him with his Polaroid camera. In turns traditional and abstract, the Flowers series is a captivating exploration of nature’s beauty. As beautifully described by fashion designer Dries Van Noten, “The Polaroid captures a fleeting moment, blossoming into a lasting memory, while the real flower, vibrant and alive, ultimately withers away, reminding us that beauty can be both preserved and ephemeral.”
In the second series, Art, Halard has enlarged a select number of his Polaroids, which he then worked on top with paint, wax, and other materials to give the final results a strong, layered sense of history and memory. Many of the images are made of ancient statuaries or details of Renaissance paintings from Italy and Greece—the tight crop of a marble head, or the folds of 15th-century drapery. “I am delving into the idea that antiquity can be modern,” Halard states in his interview with art curator Bice Curiger, “I like to start with a specific object to turn it into another, transitory object.” Halard’s transformation of the ephemeral into the permanent, in the case of his flowers; and the permanent into the ephemeral, in the case of his Classical-inspired artworks—give power and beauty to these compelling images.
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Sudpsuez Inside Florence, A Tale of Palazzi and Botteghe
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The home “is the place of return,” it is where “memory is”. I agree fully with Emanuele Coccia in his consideration that the setting of our private lives, the one that is most intimate and most familiar to us, is an expression of culture like a work of art or a monument of which we study the origins, the provenance and the material, craving to know and understand everything. -Livia Frescobaldi
Inside Florence, published by Marsilio Arte, offers an original account of Florence stemming from a love for the preservation of its places and the desire to offer an intimate and fresh look at the beauty and age-old skills of the city’s artisan workshops, which make the Tuscan capital one of the most admired cities in the world.
The splendid views, the meticulous details of the furnishings, the framing of the images, the care and attention in narrating and describing the opulence and refinement of the Florentine residences, are just some of the elements that author Livia Frescobaldi has selected to trace out an itinerary revealing her favourite places.
Through the photography of Alessandro Moggi and Eugenia Maffei, the book appears almost like a fresco with infinite scenarios, the protagonists of which are the heirs of a thousand-year-old history, in a difficult balance between modernity and tradition. There are sixteen sections for sixteen residences – ranging from palaces and gardens to former monasteries – each linked to a specific form of craftsmanship: the first pairing described is that between Palazzo Frescobaldi and the Antico Setificio Fiorentino, with a union rendered indissoluble by the customised Frescobaldi fabric, which has been in production since time immemorial. Inside Florence does not merely hold up a mirror to Florence’s architectural and artistic wealth, but is also an act of love towards those professional artisans who, as Leonardo Ferragamo states in his introductory text, ‘continue to create the history of the future with their ingenious, persevering and dedicated passion’.
Enriched and enhanced by the introductions of Eugenio Giani, President of the Region of Tuscany, and Bernabò Bocca, President of the Fondazione CR Firenze, the books stresses the uniqueness and historic nature of the city of Florence, that jealously guards its art professions and artisan workshops, its well-known palaces and more hidden ones, its gardens and spaces dedicated to contemporary times. The itinerary proposed in its pages has been planned for those who want to live Florence, rather than just visit it.
Published by Marsilio Arte