Sudpsuez Flower Couture: From My Garden to My House
$50.00
Description
Words by Cordelia De Castellane,
Photography by Billal Taright
A second book by French tastemaker Cordelia de Castellane, celebrating her garden as an endless source of inspiration for entertaining.
Cordelia de Castellane, true ambassador of French lifestyle, returns with a sequel to Life in a French Country House and offers her inspiring ideas and secrets for gardening, unique flower arranging, and entertaining.
De Castellane turns her eyes to the gorgeous garden of her own private residence in the French countryside to offer insight into how she makes nature her muse. From delicate spring blossoms to vibrant summer bouquets starring on sun-kissed tables, autumnal herbariums, and enchanting winter fetes, each chapter is about a color of her favorite flowers and is complete with informative captions and texts uncovering her tips for living and entertaining à la française. De Castellane offers her recipes for bouquets and perfect tablescaping with examples from her own house: readers discover the journey of a flower from the garden to the tabletop. This book is a must-have guide on how to imbue every day with flair, beauty, and joie de vivre.
Published by Rizzoli
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Sudpsuez Burghley House
Words by John Martin Robinson
Photographs by Ashley Hicks
Conceived by William Cecil, Lord High Treasurer to Queen Elizabeth I, and built between 1555 and 1587, Burghley House is a testament to the ambition and vision of the most powerful courtier of the first Elizabethan age.
Designed by Cecil himself, in consultation with the Dutch Renaissance architect and painter Hans Vredeman de Vries, the architecture and interiors at Burghley reflect a mix of contemporary fashionable influences. The house’s facades are each markedly different, with a striking and ornate Gothic gatehouse beneath a roofline of cupolas and obelisks, and with French and Italian styles visible in the windows and pilasters. And inside, where the State Rooms house remarkable collections of furniture, textiles, and Old Master paintings acquired over the centuries, Cecil’s Gothic-style Old Kitchen remains alongside the magnificent Renaissance staircase and Italianate fireplace in the Great Hall.
From Burghley’s inception as Cecil’s “prodigy house” to its remarkable renovation and the development of its parklands by Capability Brown in the eighteenth century, to the estate’s preservation efforts today, this is a rare and detailed look inside one of the gems in the British landscape. With sumptuous photography made specially for the book and imagery drawn from Burghley’s private archives, this book is a privileged tour of Burghley House and its remarkable history.
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Sudpsuez Francois Halard: Art and Flowers
Words by Francois Halard
The master photographer’s compelling images of his two most intimate passions: art and flowers.
“His photography has an innate capacity to evoke emotion and tell stories that linger in the mind long after the image is seen,” writes Dries Van Noten in the foreword to this two-volume series of images.
Long revered for his personal photography of the world’s most celebrated buildings and interiors, Halard strikes a new path with two new bodies of work. Confined to his house in Arles after a shoulder injury in early 2024, Halard began photographing the objects immediately surrounding him with his Polaroid camera. In turns traditional and abstract, the Flowers series is a captivating exploration of nature’s beauty. As beautifully described by fashion designer Dries Van Noten, “The Polaroid captures a fleeting moment, blossoming into a lasting memory, while the real flower, vibrant and alive, ultimately withers away, reminding us that beauty can be both preserved and ephemeral.”
In the second series, Art, Halard has enlarged a select number of his Polaroids, which he then worked on top with paint, wax, and other materials to give the final results a strong, layered sense of history and memory. Many of the images are made of ancient statuaries or details of Renaissance paintings from Italy and Greece—the tight crop of a marble head, or the folds of 15th-century drapery. “I am delving into the idea that antiquity can be modern,” Halard states in his interview with art curator Bice Curiger, “I like to start with a specific object to turn it into another, transitory object.” Halard’s transformation of the ephemeral into the permanent, in the case of his flowers; and the permanent into the ephemeral, in the case of his Classical-inspired artworks—give power and beauty to these compelling images.
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Sudpsuez Guest Book
Printed in Italy, our Guest Book is a perfect way to chronicle the visitors to your home and preserve those written memories. Each book features 320 pages (640 sides) of plain cream pages to store names, dates and well wishes and features a hardcover wrapped in our Ioannina pattern, inspired by an antique textile from the archives of the Benaki Museum. The Guest Book makes for a thoughtful gift, and is one that your host is sure to use.
Sudpsuez Sims Hilditch: Beautifully British Interiors
Words by Giles Kime
Sims Hilditch creates interiors that epitomize the English country house look of today. The firm embraces, in this, its second, book, the best of old and new British design, traditional materials, and a pared-back aesthetic to create stylishly comfortable rooms for twenty-first-century living.
Spanning the extraordinary breadth of the studio’s most recent work—projects in townhouses, historic country manors, and seaside villas, the interiors in this book reflect the design philosophy of founder Emma Sims-Hilditch: Every house needs to work on a functional level before one even considers the decoration. Spaces, from sumptuous entrance halls and sitting rooms to hardworking kitchens and boot rooms, are organized for efficiency and practicality before the design team introduces an abundance of floral and damask textiles, striking colors, both refined and comfortable furnishings, and decorative trims.
This book not only explores the fruits of complex and rewarding collaborations that artfully breathe new life into old buildings but also offers an insight into an exciting new chapter in the fascinating story of classic English country houses. New materials and technologies, paired with traditional decorative devices, reinvigorate a Victorian house in the city, an eighteenth-century country house, a Jacobean manor, an apartment in London’s Old War Office, and many other quintessentially British residences.
The Sims Hilditch team comes to every commission with an open mind, ready to respond to the setting and architecture and create something original for each client, a style that is classic and comfortable but also highly relevant to the shift in the way many people are now living.
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Sudpsuez Tuscan Rooms: Interiors from the Heartland of the Renaissance
Words by Aimee Farrell
Photographs by Antonio Monfreda
Introduction by Martina Mondadori
Foreword by Caterina de Renzis Sonnino and Dora Loewenstein
An exclusive look into Tuscan interiors that have the hallmarks of magazine’s coverage of remarkable, eclectic, and dramatic spaces.
Tuscany’s historical residences tell stories that no mere guidebook can capture. The houses that dot the landscape—from the stately Medici villas to the more humble yet charming farmhouses—are not just structures but also symbols of a way of life, a lasting testament to the fusion of an agrarian lifestyle, picturesque towns, notable architecture, fine craft, and art.
In the book’s foreword, Cabana founder Mondadori writes, “Tuscany is not merely a region; it is a living canvas, a dreamscape that has cradled the imagination of artists, poets, and thinkers for centuries.” The interiors presented in this book are a celebration of the talents of the diverse contemporary homeowners, who are keeping the region’s creative spirit alive. Houses brim with the output of skilled craftsmen, exquisite tapestries, brocades and damasks, objects arranged as if painterly still lifes, fantastical murals, rare books, furniture from a range of periods, and fine porcelain.
The houses, many published here for the first time, include a gentle hilltop in Maremma where late interior designer Manfredi della Gherardesca filled his family’s castle with superb collections of decorative and fine arts; a rustic coastal retreat where the boundaries between indoor and outdoor are blurred; the Pucci family palace, where a kaleidoscopic twentieth-century fashion phenomenon was born in a Renaissance setting; and a country hideaway where local decorative arts are astutely paired with more worldly objects, a colorful patchwork of Argentinian and Moroccan carpets and African figurines. Tuscany is the birthplace of Renaissance art and thought, a creative explosion that still resonates today. The interiors in this book are a testament to the ongoing legacy of creative rebirth in a most glorious setting.
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