Sudpsuez At Home in The American Barn
Words by James B. Garrison
At Home in the American Barn examines the fascinating possibilities for living and adaptive reuse provided by the expansive spaces and rough-hewn look of these traditional structures. Nationwide, Americans are turning to structures such as the barn with a mind to renovating them to fit the lifestyles of today, redesigning these often-wonderful places of the past into residential spaces. At Home in the American Barn embraces the dream to slow things down and return to basics and shares some success stories, as made plain by the buildings themselves.This richly illustrated volume focuses on the barn as home. Each of the structures featured has been adapted from its original utilitarian purpose to allow for comfortable, joyous living. Built at first as places for work, barns nevertheless often demonstrate fine craftsmanship and artistry. This volume emphasizes the rare beauty of these structures and shows throughout elegant solutions for living in these beautifully imagined homes. Soaring rafters here allow for dramatic chandeliers in one home or a wall of magnificent bookcases in another. Spaces that are unconventional in a traditional domestic sense here serve as springboards for inspiration that allow for, in one home, a spiral staircase of fantasy made from hand-planed wood, and, in another, a wall of glass that lets in the sun. At Home in The American Barn shows the way that this can be done successfully and artfully.
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Sudpsuez Burghley House
Words by John Martin Robinson
Photographs by Ashley Hicks
Conceived by William Cecil, Lord High Treasurer to Queen Elizabeth I, and built between 1555 and 1587, Burghley House is a testament to the ambition and vision of the most powerful courtier of the first Elizabethan age.
Designed by Cecil himself, in consultation with the Dutch Renaissance architect and painter Hans Vredeman de Vries, the architecture and interiors at Burghley reflect a mix of contemporary fashionable influences. The house’s facades are each markedly different, with a striking and ornate Gothic gatehouse beneath a roofline of cupolas and obelisks, and with French and Italian styles visible in the windows and pilasters. And inside, where the State Rooms house remarkable collections of furniture, textiles, and Old Master paintings acquired over the centuries, Cecil’s Gothic-style Old Kitchen remains alongside the magnificent Renaissance staircase and Italianate fireplace in the Great Hall.
From Burghley’s inception as Cecil’s “prodigy house” to its remarkable renovation and the development of its parklands by Capability Brown in the eighteenth century, to the estate’s preservation efforts today, this is a rare and detailed look inside one of the gems in the British landscape. With sumptuous photography made specially for the book and imagery drawn from Burghley’s private archives, this book is a privileged tour of Burghley House and its remarkable history.
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Sudpsuez Francois Halard: Art and Flowers
Words by Francois Halard
The master photographer’s compelling images of his two most intimate passions: art and flowers.
“His photography has an innate capacity to evoke emotion and tell stories that linger in the mind long after the image is seen,” writes Dries Van Noten in the foreword to this two-volume series of images.
Long revered for his personal photography of the world’s most celebrated buildings and interiors, Halard strikes a new path with two new bodies of work. Confined to his house in Arles after a shoulder injury in early 2024, Halard began photographing the objects immediately surrounding him with his Polaroid camera. In turns traditional and abstract, the Flowers series is a captivating exploration of nature’s beauty. As beautifully described by fashion designer Dries Van Noten, “The Polaroid captures a fleeting moment, blossoming into a lasting memory, while the real flower, vibrant and alive, ultimately withers away, reminding us that beauty can be both preserved and ephemeral.”
In the second series, Art, Halard has enlarged a select number of his Polaroids, which he then worked on top with paint, wax, and other materials to give the final results a strong, layered sense of history and memory. Many of the images are made of ancient statuaries or details of Renaissance paintings from Italy and Greece—the tight crop of a marble head, or the folds of 15th-century drapery. “I am delving into the idea that antiquity can be modern,” Halard states in his interview with art curator Bice Curiger, “I like to start with a specific object to turn it into another, transitory object.” Halard’s transformation of the ephemeral into the permanent, in the case of his flowers; and the permanent into the ephemeral, in the case of his Classical-inspired artworks—give power and beauty to these compelling images.
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Sudpsuez Gardens Illustrated: The New Beautiful
Words by The Editors Of Gardens Illustrated
Introduction by Stephanie Mahon
The first book from today’s leading garden magazine, renowned for its stylish features, outstanding photography, and top-notch garden writing full of insights and advice. The editors have selected over fifty of their favorite gardens in a mix of scales and in a variety of climates to appeal to garden enthusiasts everywhere.
Gardens Illustrated is today’s most popular gardening periodical, thanks to its lavishly photographed features on contemporary, forward-thinking gardens that focus on irresistible plants and clever designs. Through these gardens, each selected by the magazine’s editors for a truly exceptional trait, readers will visit the best new gardens from the United States, United Kingdom, and around the world. The scales range from small city spaces aiming to bring biodiversity deep into the built environment to country estates photographed with a new lens on ecology and sustainability, and were created by today’s top garden designers, including Andrea Cochran, Arabella Lennox-Boyd, Peter Korn, Dan Pearson, Andy Salter, Tom Stuart-Smith, Andy Sturgeon, Urquhart & Hunt, and Keith Wiley.
From loose, waving gardens that appear as unexpected mini meadows and support wildlife in small urban backyards to pleached hornbeams that act as a living fence to distinguish the borders of a lush patio from the landscape beyond and gardens that show the best new ideas for hardscape, pathways, fountains, and pergolas, readers will take away hundreds of ideas for incorporating successful plant combinations and other design elements into their own home gardens. Text by the best garden writers relays plenty of plant identification information, tips for successful growth, and most important, provides insight into how these top designers conceived of and implemented the ideas that make each and every featured garden a place full of memorable atmosphere, charm, and relaxation.
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Sudpsuez Retrouvius: Contemporary Salvage: Designing Homes from a Philosophy of Re-Use
Words by Maria Speake
London-based design studio Retrouvius has carved a unique and important niche in the interior design and architecture spheres by blending architectural salvage with innovative design. Every project is a reinvention of the past and a promise made to our shared future.
In a world increasingly defined by the fleeting and the disposable, Retrouvius stands as a beacon of sustainability, creativity, and enduring beauty in interior design. Each space transformed by the studio is imbued with a history and a character uniquely its own, and a deep respect and sensitivity for original, historic designs and materials.
As interior designers and architects increasingly adopt sustainable practices to reduce their environmental footprint, Retrouvius has been discovering new life in the old and patinaed, new purpose in the centuries overlooked. Its work is a testament to the belief that sustainability can be synonymous with sophistication, and that the past can beautifully and intelligently inform the present.
This important volume is an invitation to explore the world of Retrouvius through the design studio’s most significant projects. Through stunning photography and insightful texts, this book journeys into the heart of spaces that are as functional as they are artful, as timeless as they are tailored to contemporary living.
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Sudpsuez Sims Hilditch: Beautifully British Interiors
Words by Giles Kime
Sims Hilditch creates interiors that epitomize the English country house look of today. The firm embraces, in this, its second, book, the best of old and new British design, traditional materials, and a pared-back aesthetic to create stylishly comfortable rooms for twenty-first-century living.
Spanning the extraordinary breadth of the studio’s most recent work—projects in townhouses, historic country manors, and seaside villas, the interiors in this book reflect the design philosophy of founder Emma Sims-Hilditch: Every house needs to work on a functional level before one even considers the decoration. Spaces, from sumptuous entrance halls and sitting rooms to hardworking kitchens and boot rooms, are organized for efficiency and practicality before the design team introduces an abundance of floral and damask textiles, striking colors, both refined and comfortable furnishings, and decorative trims.
This book not only explores the fruits of complex and rewarding collaborations that artfully breathe new life into old buildings but also offers an insight into an exciting new chapter in the fascinating story of classic English country houses. New materials and technologies, paired with traditional decorative devices, reinvigorate a Victorian house in the city, an eighteenth-century country house, a Jacobean manor, an apartment in London’s Old War Office, and many other quintessentially British residences.
The Sims Hilditch team comes to every commission with an open mind, ready to respond to the setting and architecture and create something original for each client, a style that is classic and comfortable but also highly relevant to the shift in the way many people are now living.
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