Sudpsuez Anthology
By Editors
Created in celebration of our tenth edition, Anthology features the very best photography, interviews, profiles, and features from Cabana's first five, formative years, and offers an extraordinary mix of topics, interiors, objects, and visual essays from contributors ranging from Justine Picardie, Patrick Kinmonth, and Christian Louboutin to Lauren Santo Domingo and Gianluca Longo. Focusing on interior design, lifestyle, architecture, and all related luxuries, this is a truly stunning publication featuring the work of leading photographers such as Miguel Flores-Vianna and Tim Beddow, and production values not seen since Flair magazine in the 1950s. This collector’s item is a must-have for regular subscribers, as well as art and design aficionados who missed out the first time around.
In the words of author and founded Martina Mondadori, this special edition explores the “intellectual and emotional intimacy with buildings and their surroundings...the intense relationship of thought, place and the person. Anthology is about the magic of atmosphere and aesthetics inspired by the classics and Italian art history, and interiors where old and new are assembled to reflect the soul and history of a person or a family, not a stylist.”
Sudpsuez Anthology: The Anniversary Edition
By Editors
Published by Vendome Press
To celebrate 10 years of the sumptuous, sought-after, limited-edition magazine, editor Martina Mondadori presents the most revered Cabana-approved designers and their works alongside previously unseen interiors projects in this unique, superbly produced addition to any design enthusiast’s library
“is my favorite interior design magazine” — Anna Wintour Celebrating 10 years of publishing the finest interior design and decorative arts, Anthology: The Anniversary Edition is a stunning showcase of the most impressive and influential styles featured in the cult interiors magazine in its first decade. This sublime book delves into the stories behind a multitude of stunning interiors, offering insights from the designers, collectors, and artists who have contributed to Cabana’s legacy of true artistry and craftsmanship. Founded by editor-in-chief Martina Mondadori along with designer Christoph Radl and publisher Gianluca Reina in 2014, Cabana aims to inspire a new generation of globetrotters, taking them on a journey through sophistication, obsessive collecting, colors, and fabrics. This stunning volume features the very best photography, interviews, profiles, and features from the publication, with contributions from Carlos Mota, Marco Mansi, and Marian McEvoy, and photographers Miguel Flores-Vianna, Guido Taroni, Mark Luscombe Whyte, Tim Walker, and Joanna MacLennan, among many others.
Sudpsuez Antique Boxes Inside and Out: for Eating, Drinking and Being Merry, Work, Play and the Boudoir
Words by Genevieve E. Cummins
Boxes are beguiling because they can have the double delight of an enticing exterior and the anticipation and satisfaction of a fully fitted interior. This comprehensive guide to the decoration, style, use and contents of all types of boxes from diverse cultures is the first book to cover both these aspects. The coverage of decoration and styles of boxes is remarkably complete and includes the traditional, the exotic and the eccentric. Folk art to Faberge, tea caddies to tinder boxes, medicine chests to music boxes, ditty to document, voting to vampire, painting, sewing and writing boxes are just some of the topics that are included. The result is a pictorial treat, the text lavishly illustrated with images of nearly 2,000 boxes. It is a most valuable reference book for the dealer and the collector alike.
Sudpsuez Artistic Dress at Liberty & Co.
Words by Anna Buruma
Liberty’s dress department opened in 1884, headed by Edward William Godwin, an architect with a multi-faceted career and an important figure in the Aesthetic Movement. From the mid-nineteenth-century, women fought against restrictive clothing such as tight-laced corsets and heavy petticoats which were harmful to their health and chose instead to dress in looser fitting dresses, coloured with natural dyes and ornamented with embroidery and needlework. Liberty was at the forefront of Aestheticism with their recognisable soft drapeable silks, transparent textiles and fabrics imported from parts of Asia and the Middle East and their customers were an eclectic mix of women who wanted to dress artistically and stand out from the crowd. Liberty was the chosen resort of the artistic shopper.
With archival materials and previously unpublished pattern books, Anna Buruma navigates Liberty’s role in artistic dress. Examining how their idiosyncratic fashions of Greek and Roman style evening dress and medieval tea gowns translated into late nineteenth and early twentieth century fashionable dress. Liberty sustained their popularity through good taste and willingness to expand into new markets. From their flourishing commitment to Aestheticism to becoming a trail-blazer for the Art Nouveau movement which would emerge from it, Artistic Dress at Liberty & Co: The Early Years is the go-to source for the early history of Liberty’s dress department.
Published by Yale Press
Sudpsuez At Home in The American Barn
Words by James B. Garrison
At Home in the American Barn examines the fascinating possibilities for living and adaptive reuse provided by the expansive spaces and rough-hewn look of these traditional structures. Nationwide, Americans are turning to structures such as the barn with a mind to renovating them to fit the lifestyles of today, redesigning these often-wonderful places of the past into residential spaces. At Home in the American Barn embraces the dream to slow things down and return to basics and shares some success stories, as made plain by the buildings themselves.This richly illustrated volume focuses on the barn as home. Each of the structures featured has been adapted from its original utilitarian purpose to allow for comfortable, joyous living. Built at first as places for work, barns nevertheless often demonstrate fine craftsmanship and artistry. This volume emphasizes the rare beauty of these structures and shows throughout elegant solutions for living in these beautifully imagined homes. Soaring rafters here allow for dramatic chandeliers in one home or a wall of magnificent bookcases in another. Spaces that are unconventional in a traditional domestic sense here serve as springboards for inspiration that allow for, in one home, a spiral staircase of fantasy made from hand-planed wood, and, in another, a wall of glass that lets in the sun. At Home in The American Barn shows the way that this can be done successfully and artfully.
Published by Rizzoli
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Sudpsuez Basilius Besler. The Garden at Eichstätt
Words by Basilius Besler
When Prince-Bishop Johann Konrad von Gemmingen (1593/95–1612) undertook a radical renovation of the Willibaldsburg Castle, overlooking the Altmühl River in Eichstätt, Bavaria, he also created a surrounding palatial pleasure garden of magnificence and grandeur. To preserve the garden for future generations – and provide an ‘evergreen’ record of its contents, compiling plants from all four seasons and presenting them in that order – he commissioned the garden’s director, Nuremberg apothecary Basilius Besler (1561–1629), and a team of engravers to immortalize its treasures in print.
The resulting Hortus Eystettensis, published in Nuremberg in 1613 and containing 367 hand-colored plates and detailed descriptions, was a work of meticulous execution and spectacular diversity, and remarkably expensive for its time. As the garden contained a variety of plants imported from exotic locales, the three volumes exhibited a remarkable range, covering a total of 90 families and 340 genera. Due to the decorative, stylized execution of these illustrations, which began to see plants in aesthetic, rather than merely practical or medicinal terms, the book is seen as a milestone in the art of botanical illustration. While published before a time of standardized classification systems, it was nonetheless later described by Carl Linnaeus as an “incomparable work”.
Besler’s catalog long outlived the gardens, which were destroyed in 1634 by invading Swedish troops during the Thirty Years’ War. However, a lengthy redevelopment project at the historic site has culminated in the opening of the modern Bastion Garden in 1998, containing many of the plants shown in the Hortus Eystettensis.
Offering high-quality reproductions of these arresting illustrations, based on the copy of the Hortus Eystettensis at the University Library of Eichstätt-Ingolstadt, this facsimile edition is accompanied by detailed plate descriptions of each plant’s botanical, pharmaceutical, and symbolic significance and an appendix of further essays which place the garden and the book in their historical contexts.
This edition presents a valuable piece of botanical literature which, on the rare occasions where a copy appears on the market, can fetch prices of over $1,000,000 at auction. In line with Besler’s original intentions, this facsimile unfurls the garden to a wider audience and captures it for posterity.
Published by Taschen
Sudpsuez Blenheim: 300 Years of Life in a Palace by Henrietta Spencer-Churchill
Words by Henrietta Spencer-Churchill
Photographs by Hugo Rittson-Thomas
The most important, most visited, and most renowned of all of Britain’s stately homes, Blenheim has been home to the Churchill family for more than 300 years.
Regarded as perhaps the greatest of the stately homes and the finest example of baroque architecture in Great Britain, Blenheim is a treasure of English heritage. In this stunning volume, Lady Henrietta Spencer-Churchill, the twelfth generation of the family, takes us on a privileged tour of the palace.
Designed by John Vanbrugh and Nicholas Hawksmoor (a protégé of Christopher Wren) in the early 1700s; with stonework, furniture, and tapestries crafted by the best talents of the age; and art and statuary by such notable artists as John Singer Sargent and Joshua Reynolds, Blenheim is filled with artistic commissions that provide a window into the history of England.
In addition to the gilded staterooms and acres of landscaped gardens, Spencer-Churchill shows us the family’s private apartments, with their secret corridors and history of illustrious guests, as well as the “downstairs” staff area with its iconic bell system.
With beautiful photography of the magnificent interiors and priceless collections, and Spencer-Churchill’s fascinating text, this volume illuminates Blenheim as it's never been seen before.
Published by Rizzoli
Sudpsuez Bonacina: The Beauty of Rattan
Words by Marella Caracciolo Chia,
Foreword by Madison Cox,
Photographs by Guido Taroni,
Contributions by Mattia Bonetti, Ginevra Elkann, Federico Forquet, Aerin Lauder, Martina Mondadori, STUDIO PEREGALLI SARTORI and Francis Sultana
For more than 135 years, Bonacina has made rattan furniture famous and desirable through its presence in the most sophisticated residences worldwide. This book chronicles the firm’s long history of collaborating with renowned furniture designers and decorators of note.
Emblematic of Italian excellence since its founding in 1889, Bonacina is a family-owned design brand that has defined a unique and timeless style, embodying an artistic sensibility, attention to detail, and the superior workmanship of rattan—a natural raw material that grows in the Far East. The story begins in remote lands where the natural material grows before traveling to Italy and then, in the hands of some of the best interior designers, to stylish residences, gardens, hotels, and restaurants around the world.
Collaborations have always been a part of the company’s focus, keeping an age-old material current. Design masters of their times—including Gae Aulenti, Mattia Bonetti, Federico Forquet, Piero Lissoni, Renzo Mongiardino, and Gio Ponti—have worked with Bonacina in creating both traditional and forward-thinking models. The history of the company unfolds in this book with archival images, newly commissioned photographs of superb interiors, and commentaries from people who live with Bonacina furnishings and who use them in their interior-design practices.
Sudpsuez Borrowed Landscapes: China and Japan in the Historic Houses and Gardens of Britain and Ireland Emile de Bruijn
Words by Wydanie: Angielski
A beautifully illustrated exploration of the impact of Chinese and Japanese material culture on the historic houses and gardens of Britain and Ireland.
The art and ornament of China and Japan have had a deep impact in the British Isles. From the seventeenth century onwards, the design and decoration of interiors and gardens in Britain and Ireland was profoundly influenced by the importation of Chinese and Japanese luxury goods, while domestic designers and artisans created their own fanciful interpretations of 'oriental' art. Those hybrid styles and tastes have traditionally been known as chinoiserie and japonisme, but they can also be seen as elements of the wider and still very relevant phenomenon of orientalism, or the way the West sees the East.
Illustrated with a wealth of new photography and published in association with the National Trust, Borrowed Landscapes is an engaging survey of orientalism in the Trust's historic houses and gardens across England, Wales and Northern Ireland. Drawing on new research, Emile de Bruijn demonstrates how elements of Chinese and Japanese culture were simultaneously desired and misunderstood, dismembered and treasured, idealised and caricatured.
Published by Philip Wilson Publishers
Sudpsuez Botanical Sketchbooks
Words by Helen Bynum
While highly finished drawings and paintings frequently feature in histories of botanical art, the preparatory sketches, first impressions and creative thoughts on paper behind them are rarely seen and have often remained hidden and locked away.
Botanical Sketchbooks brings these personal and vividly spontaneous records gloriously back into the light. In a series of biographical portraits organized thematically into four sections, the book illuminates a range of intriguing characters, from many different countries and cultures, including Germany, France, Italy, America, Australia, Japan and China. Sketchbooks proper are joined by notebooks, journals, albums, loose pieces of paper, works on vellum, manuscripts, letters, herbarium sheets and marginalia – even one drawing on the back of an envelope.
Turning the pages of this book will be an invitation to relive extraordinary experiences, imagine lost worlds, and be immersed in the endeavours, observations and motivations of the makers of such beautiful and enchanting art.
Published by Thames & Hudson Ltd
Sudpsuez British Museums: Silk Roads
Words by Sue Brunning, Luk Yu-ping, Elisabeth R. O’Connell
‘The true soul of this new exhibition has been encapsulated within a single book, a treasure trove of stories, images, and insights that brought the ancient trade routes to life.’ – .Cent magazine A richly illustrated publication that explores the networks of contacts and exchanges spanning Afro-Eurasia from 500 to 1000 ce, highlighting how the movement of people, objects and ideas shaped cultures and histories. The term ‘Silk Road’ conjures a range of romantic images. Camel caravans crossing desert dunes. Merchants trading silk and spices. Far-flung commerce between ‘East’ and ‘West’. The reality was far richer. Focusing on a defining period between 500 and 1000 CE, this beautifully illustrated book reimagines the Silk Roads as a web of interlocking networks linking Asia, Africa and Europe, from Japan to Ireland, from the Arctic to Madagascar. It tells a remarkable story of people, objects and ideas flowing in all directions, through the traces these journeys left behind – including ceramics from Tang China recovered from a shipwreck in the Java Sea, sword-fittings set with Indian garnets buried in England, and a selection of letters and legal texts from a synagogue in Cairo revealing a Jewish community’s links from India to al-Andalus. Woven throughout, encounters with various peoples active on the Silk Roads, from seafarers to Sogdians, Aksumites and Vikings, reveal the human stories, innovations and transfers of knowledge that emerged, shaping cultures and histories across continents centuries before the formation of today’s globalised world.
Published by Flammarion
Sudpsuez Burghley House
Words by John Martin Robinson
Photographs by Ashley Hicks
Conceived by William Cecil, Lord High Treasurer to Queen Elizabeth I, and built between 1555 and 1587, Burghley House is a testament to the ambition and vision of the most powerful courtier of the first Elizabethan age.
Designed by Cecil himself, in consultation with the Dutch Renaissance architect and painter Hans Vredeman de Vries, the architecture and interiors at Burghley reflect a mix of contemporary fashionable influences. The house’s facades are each markedly different, with a striking and ornate Gothic gatehouse beneath a roofline of cupolas and obelisks, and with French and Italian styles visible in the windows and pilasters. And inside, where the State Rooms house remarkable collections of furniture, textiles, and Old Master paintings acquired over the centuries, Cecil’s Gothic-style Old Kitchen remains alongside the magnificent Renaissance staircase and Italianate fireplace in the Great Hall.
From Burghley’s inception as Cecil’s “prodigy house” to its remarkable renovation and the development of its parklands by Capability Brown in the eighteenth century, to the estate’s preservation efforts today, this is a rare and detailed look inside one of the gems in the British landscape. With sumptuous photography made specially for the book and imagery drawn from Burghley’s private archives, this book is a privileged tour of Burghley House and its remarkable history.
Published by Rizzoli
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