Sudpsuez Aries Twisted Cord Belt, Black, Small
$227.00
Description
Sonia Petroff was a trailblazer of contemporary femininity, creating bold couture and costume jewellery inspired by the colors, exuberance and joie de vivre of her vibrant life. This collection is inspired by Petroff’s original handmade jewellery designs from the early 60s to the late 80s. Through a romantic rediscovery of forgotten archives, family member Maria Leoni-Sceti reimagines Sonia Petroff’s world at the heart of La Dolce Vita. With a flamboyant flair, each belt will create a bold yet effortlessly chic look.
The black twisted cord Aries belt showcases a bold centrepiece buckle designed to resemble the powerful and symbolic ram’s horns, a tribute to Aries, the first sign of the zodiac. Crafted on a brass base with a 24k gold overlay, the buckle is intricately adorned with simulated onyx crescents and carnelian cabochons. Set against a black twisted cord, the design seamlessly blends the motif of the ram with Sonia’s distinctive vintage-inspired aesthetics.
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Words by Alexis Kugel
This exhibition, Galerie Kugel’s tenth, continues the tradition of seeking out little-known but fascinating fields in the art world. Renaissance automaton clocks have never been the subject of scientific study, authors of horological reference works devoting at best merely a chapter to them.
These automaton clocks date from 1580 to 1630 and were for the most part created in Augsburg, the main German artistic centre of the time. These wonderful objects combine the arts of sculpture and horology. Rivalling in fantasy and ingenuity, they fascinated the European courts. Today, they can be found in museums holding great princely collections in Vienna, Dresden, Munich. Automaton clocks were also used as diplomatic presents.
The thirty-one automaton clocks presented in this exhibition and book are the largest group ever displayed. While studying them we have made surprising discoveries. For example, the troubling similarities between some of the most extraordinary anonymous clocks displayed here: the Elephant (cat. 3), the large Pacing Lion and his Tamer (cat. 7), the large Seated Lion (cat. 9), and the Chariot of Bacchus (cat. 11), which strongly argue for their having been produced in the same workshop. Among all the clocks published in this book, only one comes from Nuremberg (cat. 21). The chronological presentation that we chose also led us to rethink the conventional dating of certain pieces.
The title “Mechanical Bestiary” is somewhat restrictive, for among the clocks presented here, a quarter represent human figures without animals, and certain pieces possess no mechanical movements. Yet the thirty-one pieces assembled here clearly form a homogeneous and coherent whole. All were created for the same reason: to amuse and delight the collectors of their time.
Sudpsuez Atalanti Pitcher, Small
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The Atalanti Pitcher is crafted by a Sifnian potter - following the Cycladic island's rich lineage of pottery - and hand-painted by Atalanti Martinou in Athens. Featuring a soft color palette of yellow and blue, it radiates with a rustic charm. The Benaki Collection marks Cabana's first design partnership directly inspired by a museum or public institution.
A percentage of sales will go directly to the Benaki Museum, supporting its ongoing work to preserve and celebrate the arts in Greece. All proceeds from Atalanti's ceramic work support ARCH, a non-profits organizaiton in Athens.
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