Sudpsuez Hanging Decorative Paper Panel, Arjumand’s World Gold Fish
Drawing inspiration from an exquisite representation of a beautiful Qing-style scroll, this hanging decorative panel features playful children amidst a garden. Some of them carry lanterns shaped like rabbits, goldfish, and cicadas, while others are seen with musical instruments or riding horses, all set against a striking black background. These depictions symbolize a heartfelt wish for the recipient to be blessed with fertilite abundance, making this tapestry panel a perfect choice for a wedding textile. The fabric is supported by gold-painted faux bamboo sticks.
Arjumand's World, after 20 years mastering the art of mural painting and trompe l'oeil. The inspiration behind the beautiful collections is Idarica’s fictional muse, Arjumand, an Indian Empress of the Mughal Dynasty. The collection is an eclectic mix of patterns based on Arjumand’s travel inspirations: the Moghul and Ottoman motifs of India’s Taj Mahal, Genoese fabrics for the Russian court, Japan’s ancient indigo-dyed fabrics, and the stripes and florals of the Miao population’s folk clothes in southeast China.
Lead Time
9 - 12 Weeks
Sudpsuez Hanging Decorative Paper Panel, Arjumand’s World Rhapsody in Blue I
Drawing inspiration from early 18th-century Chinese embroidered motifs, this hanging decorative panel features a "Hundred Antiques" motif with still-life elements and auspicious objects set against a rich, deep blue backdrop. The intricate embroidery captures a captivating tableau of still-life elements and auspicious objects, including ritual bronzes, vases brimming with vibrant peonies and cherry blossoms, fragrant incense, luscious fruits, and precious corals. The fabric is supported by gold-painted faux bamboo sticks.
Arjumand's World, after 20 years of mastering the art of mural painting and trompe l'oeil. The inspiration behind the beautiful collections is Idarica’s fictional muse, Arjumand, an Indian Empress of the Mughal Dynasty. The collection is an eclectic mix of patterns based on Arjumand’s travel inspirations: the Moghul and Ottoman motifs of India’s Taj Mahal, Genoese fabrics for the Russian court, Japan’s ancient indigo-dyed fabrics, and the stripes and florals of the Miao population’s folk clothes in southeast China.
Lead Time
Weeks
Sudpsuez Hanging Decorative Paper Panel, Arjumand’s World Rhapsody in Blue II
Drawing inspiration from early 18th-century Chinese embroidered motifs, this hanging decorative panel features a "Hundred Antiques" motif with still-life elements and auspicious objects set against a rich, deep blue backdrop. The intricate embroidery captures a captivating tableau of still-life elements and auspicious objects, including ritual bronzes, vases brimming with vibrant peonies and cherry blossoms, fragrant incense, luscious fruits, and precious corals. The fabric is supported by gold-painted faux bamboo sticks.
Arjumand's World, after 20 years of mastering the art of mural painting and trompe l'oeil. The inspiration behind the beautiful collections is Idarica’s fictional muse, Arjumand, an Indian Empress of the Mughal Dynasty. The collection is an eclectic mix of patterns based on Arjumand’s travel inspirations: the Moghul and Ottoman motifs of India’s Taj Mahal, Genoese fabrics for the Russian court, Japan’s ancient indigo-dyed fabrics, and the stripes and florals of the Miao population’s folk clothes in southeast China.
Lead Time
9 - 12 Weeks
Sudpsuez Hanging Decorative Paper Panel, Arjumand’s World Rhapsody in Blue III
Drawing inspiration from early 18th-century Chinese embroidered motifs, this hanging decorative panel features a "Hundred Antiques" motif with still-life elements and auspicious objects set against a rich, deep blue backdrop. The intricate embroidery captures a captivating tableau of still-life elements and auspicious objects, including ritual bronzes, vases brimming with vibrant peonies and cherry blossoms, fragrant incense, luscious fruits, and precious corals. The fabric is supported by gold-painted faux bamboo sticks.
Arjumand's World, after 20 years of mastering the art of mural painting and trompe l'oeil. The inspiration behind the beautiful collections is Idarica’s fictional muse, Arjumand, an Indian Empress of the Mughal Dynasty. The collection is an eclectic mix of patterns based on Arjumand’s travel inspirations: the Moghul and Ottoman motifs of India’s Taj Mahal, Genoese fabrics for the Russian court, Japan’s ancient indigo-dyed fabrics, and the stripes and florals of the Miao population’s folk clothes in southeast China.
Lead Time
Weeks
Sudpsuez Hanging Decorative Paper Panel, Arjumand’s World Roundels & Flowers
Drawing inspiration from 19th-century Chinese "Roundels," this hanging decorative panel features decorative and figurative motifs that beautifully capture the essence of the Immortals, revered and auspicious figures deeply rooted in Daoism, China's indigenous religious tradition. It is mounted on gold-painted faux bamboo sticks.
Idarica Gazzoni founded the Milan-based fabric house, Arjumand's World, after 20 years of mastering the art of mural painting and trompe l'oeil. The inspiration behind the beautiful collections is Idarica’s fictional muse, Arjumand, an Indian Empress of the Mughal Dynasty. The collection is an eclectic mix of patterns based on Arjumand’s travel inspirations: the Moghul and Ottoman motifs of India’s Taj Mahal, Genoese fabrics for the Russian court, Japan’s ancient indigo-dyed fabrics, and the stripes and florals of the Miao population’s folk clothes in southeast China.
Lead Time
Weeks
Sudpsuez Hanging Decorative Paper Panel, Arjumand’s World Tapisserie XXVIII
Drawing inspiration from 18th-century tapestries adorned with chinoiserie patterns, taking inspiration from a pair of side curtains created for a canopy bed. The fabric is supported by gold-painted faux bamboo sticks.
Idarica Gazzoni founded the Milan-based fabric house, Arjumand's World, after 20 years mastering the art of mural painting and trompe l'oeil. The inspiration behind the beautiful collections is Idarica’s fictional muse, Arjumand, an Indian Empress of the Mughal Dynasty. The collection is an eclectic mix of patterns based on Arjumand’s travel inspirations: the Moghul and Ottoman motifs of India’s Taj Mahal, Genoese fabrics for the Russian court, Japan’s ancient indigo-dyed fabrics, and the stripes and florals of the Miao population’s folk clothes in southeast China.
Lead Time
Weeks
Sudpsuez William White x Cabana, The Studio Slipper Chair, Antique Embroidered Suzani Textile
The Studio Slipper Chair reimagines an antique Napoleon III silhouette, handmade in New York and clad in antique textiles sourced by Will Cooper in Uzbekistan and France, edited by Martina Mondadori. A timeless seat of culture and comfort, offered in a limited edition of two per variation.
Each chair is dressed in an antique textile, giving it character and history while ensuring no two pieces are ever alike. Wrapped in antique Suzani embroidery, this version celebrates vibrant, hand-stitched detail and cultural storytelling, bringing artisanal depth to any room. The clean silhouette and low profile make it equally at home fireside, in a boudoir, or as an accent in a contemporary living space.
Lead Time
4-6 Weeks
Sudpsuez William White x Cabana, The Studio Slipper Chair, Antique Matelassé Textile
The Studio Slipper Chair reimagines an antique Napoleon III silhouette, handmade in New York and clad in antique textiles sourced by Will Cooper in Uzbekistan and France, edited by Martina Mondadori. A timeless seat of culture and comfort, offered in a limited edition of two per variation.
Each chair is dressed in an antique textile, giving it character and history while ensuring no two pieces are ever alike. Upholstered in antique matelassé, this version carries a subtle texture and timeless elegance, perfect for pairing with crisp linens or understated interiors. The clean silhouette and low profile make it equally at home fireside, in a boudoir, or as an accent in a contemporary living space.
Lead Time
4-6 Weeks
Sudpsuez William White x Cabana, The Studio Slipper Chair, Antique Uzbek Ikat Silk Textile
The Studio Slipper Chair reimagines an antique Napoleon III silhouette, handmade in New York and clad in antique textiles sourced by Will Cooper in Uzbekistan and France, edited by Martina Mondadori. A timeless seat of culture and comfort, offered in a limited edition of two per variation.
Each chair is dressed in an antique textile, giving it character and history while ensuring no two pieces are ever alike. Clad in antique Uzbek ikat silk, this variation highlights bold pattern and luminous color, a striking statement for eclectic and layered interiors. The clean silhouette and low profile make it equally at home fireside, in a boudoir, or as an accent in a contemporary living space.
Lead Time
4-6 Weeks
Sudpsuez William White x Cabana, The Studio Slipper Chair, Antique Uzbek Ikat Silk Textile
The Studio Slipper Chair reimagines an antique Napoleon III silhouette, handmade in New York and clad in antique textiles sourced by Will Cooper in Uzbekistan and France, edited by Martina Mondadori. A timeless seat of culture and comfort, offered in a limited edition of two per variation.
Each chair is dressed in an antique textile, giving it character and history while ensuring no two pieces are ever alike. Clad in antique Uzbek ikat silk, this variation highlights bold pattern and luminous color, a striking statement for eclectic and layered interiors. The clean silhouette and low profile make it equally at home fireside, in a boudoir, or as an accent in a contemporary living space.
Lead Time
4-6 Weeks