Sudpsuez The New Romantic Garden
$50.00
Description
Words by
Jo Thompson
Over her thirty-year career, celebrated designer Jo Thompson has become recognised for her timeless planting, well-proportioned, English-style gardens rendered modern by a staunch commitment to biodiversity—to the eye this translates as a looser formality than English gardens of the past, though every bit as romantic.
Thompson reminds us that we are never, in complete charge of how our gardens grow; other forces are always at work, as they should be when we allow sustainable practices to help us guide rather than try to dominate nature’s own efforts. Hundreds of beautiful colour photos and chapter-by-chapter case studies of individual gardens designed around various themes provide inspiration for all gardeners who want their gardens to feel not merely well planted, but truly alive and atmospheric.
Published by
Rizzoli
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Sudpsuez Francois Halard: Art and Flowers
Words by Francois Halard
The master photographer’s compelling images of his two most intimate passions: art and flowers.
“His photography has an innate capacity to evoke emotion and tell stories that linger in the mind long after the image is seen,” writes Dries Van Noten in the foreword to this two-volume series of images.
Long revered for his personal photography of the world’s most celebrated buildings and interiors, Halard strikes a new path with two new bodies of work. Confined to his house in Arles after a shoulder injury in early 2024, Halard began photographing the objects immediately surrounding him with his Polaroid camera. In turns traditional and abstract, the Flowers series is a captivating exploration of nature’s beauty. As beautifully described by fashion designer Dries Van Noten, “The Polaroid captures a fleeting moment, blossoming into a lasting memory, while the real flower, vibrant and alive, ultimately withers away, reminding us that beauty can be both preserved and ephemeral.”
In the second series, Art, Halard has enlarged a select number of his Polaroids, which he then worked on top with paint, wax, and other materials to give the final results a strong, layered sense of history and memory. Many of the images are made of ancient statuaries or details of Renaissance paintings from Italy and Greece—the tight crop of a marble head, or the folds of 15th-century drapery. “I am delving into the idea that antiquity can be modern,” Halard states in his interview with art curator Bice Curiger, “I like to start with a specific object to turn it into another, transitory object.” Halard’s transformation of the ephemeral into the permanent, in the case of his flowers; and the permanent into the ephemeral, in the case of his Classical-inspired artworks—give power and beauty to these compelling images.
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Sudpsuez Fringe, Frog and Tassel: The Art of the Trimmings-Maker in Interior Decoration Annabel Westman
Words by Annabel Westman
Trimmings are often overlooked as mere details of a furnished interior. However, in the past they were seen as vital and costly elements in the decoration of a room. They were used not only on curtains and beds but also on wall hangings, upholstered seat furniture and cushions, providing a visual feast for the eye with their colour and intricate detail. Sometimes more expensive than the rich fabrics they enhanced, trimmings are often the only surviving evidence of a lost decorative scheme, reapplied to replacement textiles or found as fragments in the attic.
This book, the first of its kind, traces their history in Britain and Ireland from 1320 to 1970, examining the design and usage of tassels, fringe, braid (woven lace), gimp and cord and their dependence on French fashion. The substantial text links surviving items in historic houses and museums to written evidence, paintings, drawings and other primary sources to provide a firm framework for dating pieces of less-certain provenance. The importance of the 'laceman', the maker of these trimmings, is also examined within an economic and social context, together with the relationship to the upholsterer and interior decorator in the creation of a fashionable room.
Published by Bloomsbury Publishing
Sudpsuez Handmade in India
Words by Aditi Ranjan & M.P. Ranjan
Daily life in India is enriched by a colorful profusion of handmade goods, crafted with simple tools by artisans rooted in local traditions. From the richly embroidered gabba rugs of Kashmir to the polished metal mirrors of Kerala, and from the turned-wood vases of Gujarat to the coiled-cane hats of Arunachal Pradesh, the range of Indian handicrafts is as rich and varied as the country’s culture and geography.
Handmade in India is the first book to explore the entire spectrum of Indian crafts, state by state and district by district. The product of extensive fieldwork, it covers all aspects of India’s regional traditions: their historical, social, and cultural context; design and production processes; and markets old and new. Thousands of color photographs show the artisans at work, their tools, and their finished products. The broad geographic scope allows the reader to appreciate not only the astonishing diversity of Indian crafts, but also the variations (sometimes subtle, sometimes surprising) in the same craft as practiced in different regions.
This beautifully illustrated volume is an indispensable reference for product and textile designers, artists, architects, interior designers, development professionals, and collectors alike.
Published Abbeville Press
Sudpsuez Inside Florence, A Tale of Palazzi and Botteghe
Words by Livia Frescobaldi
Photographs by Alessandro Moggi, Eugenia Maffei
The home “is the place of return,” it is where “memory is”. I agree fully with Emanuele Coccia in his consideration that the setting of our private lives, the one that is most intimate and most familiar to us, is an expression of culture like a work of art or a monument of which we study the origins, the provenance and the material, craving to know and understand everything. -Livia Frescobaldi
Inside Florence, published by Marsilio Arte, offers an original account of Florence stemming from a love for the preservation of its places and the desire to offer an intimate and fresh look at the beauty and age-old skills of the city’s artisan workshops, which make the Tuscan capital one of the most admired cities in the world.
The splendid views, the meticulous details of the furnishings, the framing of the images, the care and attention in narrating and describing the opulence and refinement of the Florentine residences, are just some of the elements that author Livia Frescobaldi has selected to trace out an itinerary revealing her favourite places.
Through the photography of Alessandro Moggi and Eugenia Maffei, the book appears almost like a fresco with infinite scenarios, the protagonists of which are the heirs of a thousand-year-old history, in a difficult balance between modernity and tradition. There are sixteen sections for sixteen residences – ranging from palaces and gardens to former monasteries – each linked to a specific form of craftsmanship: the first pairing described is that between Palazzo Frescobaldi and the Antico Setificio Fiorentino, with a union rendered indissoluble by the customised Frescobaldi fabric, which has been in production since time immemorial. Inside Florence does not merely hold up a mirror to Florence’s architectural and artistic wealth, but is also an act of love towards those professional artisans who, as Leonardo Ferragamo states in his introductory text, ‘continue to create the history of the future with their ingenious, persevering and dedicated passion’.
Enriched and enhanced by the introductions of Eugenio Giani, President of the Region of Tuscany, and Bernabò Bocca, President of the Fondazione CR Firenze, the books stresses the uniqueness and historic nature of the city of Florence, that jealously guards its art professions and artisan workshops, its well-known palaces and more hidden ones, its gardens and spaces dedicated to contemporary times. The itinerary proposed in its pages has been planned for those who want to live Florence, rather than just visit it.
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Sudpsuez Retrouvius: Contemporary Salvage: Designing Homes from a Philosophy of Re-Use
Words by Maria Speake
London-based design studio Retrouvius has carved a unique and important niche in the interior design and architecture spheres by blending architectural salvage with innovative design. Every project is a reinvention of the past and a promise made to our shared future.
In a world increasingly defined by the fleeting and the disposable, Retrouvius stands as a beacon of sustainability, creativity, and enduring beauty in interior design. Each space transformed by the studio is imbued with a history and a character uniquely its own, and a deep respect and sensitivity for original, historic designs and materials.
As interior designers and architects increasingly adopt sustainable practices to reduce their environmental footprint, Retrouvius has been discovering new life in the old and patinaed, new purpose in the centuries overlooked. Its work is a testament to the belief that sustainability can be synonymous with sophistication, and that the past can beautifully and intelligently inform the present.
This important volume is an invitation to explore the world of Retrouvius through the design studio’s most significant projects. Through stunning photography and insightful texts, this book journeys into the heart of spaces that are as functional as they are artful, as timeless as they are tailored to contemporary living.
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