Sudpsuez Schumacher x Theodora Embroidered Cushion, Saffron
Sudpsuez Set of 3 Dalia Bronze Candle Holders by Osanna Visconti
Italian designer and maker, Osanna Visconti, casts exquisitely detailed jewellery and objects, both functional and decorative, from natural bronze using the lost wax technique - an ancient method that Greek and Roman artisans have been using since bronze was discovered 3000 years ago. The Dalia Bronze Candle Holder is a timeless piece inspired by nature and will surely be a lasting treasure. Discover Osanna's collection of bronze works including candlesticks, bowls, serving spoons, tea spoons and more. Please note that candles are not included.
Lead Time
2-3 Weeks
Sudpsuez Set of 3 Foglie Bronze Candlesticks by Osanna Visconti
Italian designer and maker, Osanna Visconti, casts exquisitely detailed jewellery and objects, both functional and decorative, from natural bronze using the lost wax technique - an ancient method that Greek and Roman artisans have been using since bronze was discovered 3000 years ago. The Foglie Bronze Candleholder is a timeless piece inspired by nature and will surely be a lasting treasure. Discover Osanna's collection of bronze works including candlesticks, bowls, serving spoons, tea spoons and more.
Sudpsuez Sophie Wilson Jardinière
When Sophie Wilson’s three youngest children were small, she decided to open a little shop in the entry hall of her gorgeously dilapidated 16th-century manor house in the English countryside. She sold some soap and jam and candles, but when the potter she enlisted to make ceramics couldn’t keep up with demand, she decided to make them herself. Thanks to her very personal aesthetic and the intimate photography she did of her work amidst her actual family life in the faded glamour of her old house and the power of Instagram, the rest is history. The shop closed, and the ceramics took off. Wilson’s work is fantastical and intelligent, mining the history of decorative arts and her own personal passions, and so deeply human and obviously handmade. Her signature technique is slipware—a style associated with the Staffordshire potteries of the 17th century, created by coating semi-hard red clay with a ‘slip’ of liquid white clay. She then uses the centuries-old Roman decorative technique of sgraffito( meaning scratched), where she etches her vigorous, sinuous line drawings into the wet surface to reveal the red clay beneath.
Lead Time:
6 Weeks
Sudpsuez Sophie Wilson Lamp Base & Atelier Vime Lampshade
When Sophie Wilson’s three youngest children were small, she decided to open a little shop in the entry hall of her gorgeously dilapidated 16th-century manor house in the English countryside. She sold some soap and jam and candles, but when the potter she enlisted to make ceramics couldn’t keep up with demand, she decided to make them herself. Thanks to her very personal aesthetic and the intimate photography she did of her work amidst her actual family life in the faded glamour of her old house and the power of Instagram, the rest is history. The shop closed, and the ceramics took off. Wilson’s work is fantastical and intelligent, mining the history of decorative arts and her own personal passions, and so deeply human and obviously handmade. Her signature technique is slipware—a style associated with the Staffordshire potteries of the 17th century, created by coating semi-hard red clay with a ‘slip’ of liquid white clay. She then uses the centuries-old Roman decorative technique of sgraffito( meaning scratched), where she etches her vigorous, sinuous line drawings into the wet surface to reveal the red clay beneath.
Lead Time:
6 Weeks
Sudpsuez Sophie Wilson Medium Decorative Plate
When Sophie Wilson’s three youngest children were small, she decided to open a little shop in the entry hall of her gorgeously dilapidated 16th-century manor house in the English countryside. She sold some soap and jam and candles, but when the potter she enlisted to make ceramics couldn’t keep up with demand, she decided to make them herself. Thanks to her very personal aesthetic and the intimate photography she did of her work amidst her actual family life in the faded glamour of her old house and the power of Instagram, the rest is history. The shop closed, and the ceramics took off. Wilson’s work is fantastical and intelligent, mining the history of decorative arts and her own personal passions, and so deeply human and obviously handmade. Her signature technique is slipware—a style associated with the Staffordshire potteries of the 17th century, created by coating semi-hard red clay with a ‘slip’ of liquid white clay. She then uses the centuries-old Roman decorative technique of sgraffito( meaning scratched), where she etches her vigorous, sinuous line drawings into the wet surface to reveal the red clay beneath.
Lead Time:
6 Weeks
Sudpsuez Sophie Wilson Medium Decorative Plate
When Sophie Wilson’s three youngest children were small, she decided to open a little shop in the entry hall of her gorgeously dilapidated 16th-century manor house in the English countryside. She sold some soap and jam and candles, but when the potter she enlisted to make ceramics couldn’t keep up with demand, she decided to make them herself. Thanks to her very personal aesthetic and the intimate photography she did of her work amidst her actual family life in the faded glamour of her old house and the power of Instagram, the rest is history. The shop closed, and the ceramics took off. Wilson’s work is fantastical and intelligent, mining the history of decorative arts and her own personal passions, and so deeply human and obviously handmade. Her signature technique is slipware—a style associated with the Staffordshire potteries of the 17th century, created by coating semi-hard red clay with a ‘slip’ of liquid white clay. She then uses the centuries-old Roman decorative technique of sgraffito( meaning scratched), where she etches her vigorous, sinuous line drawings into the wet surface to reveal the red clay beneath.
Lead Time:
6 Weeks
Sudpsuez Sophie Wilson Small Decorative Plate
When Sophie Wilson’s three youngest children were small, she decided to open a little shop in the entry hall of her gorgeously dilapidated 16th-century manor house in the English countryside. She sold some soap and jam and candles, but when the potter she enlisted to make ceramics couldn’t keep up with demand, she decided to make them herself. Thanks to her very personal aesthetic and the intimate photography she did of her work amidst her actual family life in the faded glamour of her old house and the power of Instagram, the rest is history. The shop closed, and the ceramics took off. Wilson’s work is fantastical and intelligent, mining the history of decorative arts and her own personal passions, and so deeply human and obviously handmade. Her signature technique is slipware—a style associated with the Staffordshire potteries of the 17th century, created by coating semi-hard red clay with a ‘slip’ of liquid white clay. She then uses the centuries-old Roman decorative technique of sgraffito( meaning scratched), where she etches her vigorous, sinuous line drawings into the wet surface to reveal the red clay beneath.
Lead Time:
6 Weeks
Sudpsuez Sophie Wilson Small Decorative Plate
When Sophie Wilson’s three youngest children were small, she decided to open a little shop in the entry hall of her gorgeously dilapidated 16th-century manor house in the English countryside. She sold some soap and jam and candles, but when the potter she enlisted to make ceramics couldn’t keep up with demand, she decided to make them herself. Thanks to her very personal aesthetic and the intimate photography she did of her work amidst her actual family life in the faded glamour of her old house and the power of Instagram, the rest is history. The shop closed, and the ceramics took off. Wilson’s work is fantastical and intelligent, mining the history of decorative arts and her own personal passions, and so deeply human and obviously handmade. Her signature technique is slipware—a style associated with the Staffordshire potteries of the 17th century, created by coating semi-hard red clay with a ‘slip’ of liquid white clay. She then uses the centuries-old Roman decorative technique of sgraffito( meaning scratched), where she etches her vigorous, sinuous line drawings into the wet surface to reveal the red clay beneath.
Lead Time:
6 Weeks
Sudpsuez Sophie Wilson Small Decorative Plate
When Sophie Wilson’s three youngest children were small, she decided to open a little shop in the entry hall of her gorgeously dilapidated 16th-century manor house in the English countryside. She sold some soap and jam and candles, but when the potter she enlisted to make ceramics couldn’t keep up with demand, she decided to make them herself. Thanks to her very personal aesthetic and the intimate photography she did of her work amidst her actual family life in the faded glamour of her old house and the power of Instagram, the rest is history. The shop closed, and the ceramics took off. Wilson’s work is fantastical and intelligent, mining the history of decorative arts and her own personal passions, and so deeply human and obviously handmade. Her signature technique is slipware—a style associated with the Staffordshire potteries of the 17th century, created by coating semi-hard red clay with a ‘slip’ of liquid white clay. She then uses the centuries-old Roman decorative technique of sgraffito( meaning scratched), where she etches her vigorous, sinuous line drawings into the wet surface to reveal the red clay beneath.
Lead Time:
6 Weeks
Sudpsuez William White x Cabana, The Studio Slipper Chair, Antique Embroidered Suzani Textile
The Studio Slipper Chair reimagines an antique Napoleon III silhouette, handmade in New York and clad in antique textiles sourced by Will Cooper in Uzbekistan and France, edited by Martina Mondadori. A timeless seat of culture and comfort, offered in a limited edition of two per variation.
Each chair is dressed in an antique textile, giving it character and history while ensuring no two pieces are ever alike. Wrapped in antique Suzani embroidery, this version celebrates vibrant, hand-stitched detail and cultural storytelling, bringing artisanal depth to any room. The clean silhouette and low profile make it equally at home fireside, in a boudoir, or as an accent in a contemporary living space.
Lead Time
4-6 Weeks
Sudpsuez William White x Cabana, The Studio Slipper Chair, Antique Matelassé Textile
The Studio Slipper Chair reimagines an antique Napoleon III silhouette, handmade in New York and clad in antique textiles sourced by Will Cooper in Uzbekistan and France, edited by Martina Mondadori. A timeless seat of culture and comfort, offered in a limited edition of two per variation.
Each chair is dressed in an antique textile, giving it character and history while ensuring no two pieces are ever alike. Upholstered in antique matelassé, this version carries a subtle texture and timeless elegance, perfect for pairing with crisp linens or understated interiors. The clean silhouette and low profile make it equally at home fireside, in a boudoir, or as an accent in a contemporary living space.
Lead Time
4-6 Weeks