Sudpsuez Sophie Wilson Jardinière
When Sophie Wilson’s three youngest children were small, she decided to open a little shop in the entry hall of her gorgeously dilapidated 16th-century manor house in the English countryside. She sold some soap and jam and candles, but when the potter she enlisted to make ceramics couldn’t keep up with demand, she decided to make them herself. Thanks to her very personal aesthetic and the intimate photography she did of her work amidst her actual family life in the faded glamour of her old house and the power of Instagram, the rest is history. The shop closed, and the ceramics took off. Wilson’s work is fantastical and intelligent, mining the history of decorative arts and her own personal passions, and so deeply human and obviously handmade. Her signature technique is slipware—a style associated with the Staffordshire potteries of the 17th century, created by coating semi-hard red clay with a ‘slip’ of liquid white clay. She then uses the centuries-old Roman decorative technique of sgraffito( meaning scratched), where she etches her vigorous, sinuous line drawings into the wet surface to reveal the red clay beneath.
Lead Time:
6 Weeks
Sudpsuez Sophie Wilson Lamp Base & Atelier Vime Lampshade
When Sophie Wilson’s three youngest children were small, she decided to open a little shop in the entry hall of her gorgeously dilapidated 16th-century manor house in the English countryside. She sold some soap and jam and candles, but when the potter she enlisted to make ceramics couldn’t keep up with demand, she decided to make them herself. Thanks to her very personal aesthetic and the intimate photography she did of her work amidst her actual family life in the faded glamour of her old house and the power of Instagram, the rest is history. The shop closed, and the ceramics took off. Wilson’s work is fantastical and intelligent, mining the history of decorative arts and her own personal passions, and so deeply human and obviously handmade. Her signature technique is slipware—a style associated with the Staffordshire potteries of the 17th century, created by coating semi-hard red clay with a ‘slip’ of liquid white clay. She then uses the centuries-old Roman decorative technique of sgraffito( meaning scratched), where she etches her vigorous, sinuous line drawings into the wet surface to reveal the red clay beneath.
Lead Time:
6 Weeks
Sudpsuez Sophie Wilson Medium Decorative Plate
When Sophie Wilson’s three youngest children were small, she decided to open a little shop in the entry hall of her gorgeously dilapidated 16th-century manor house in the English countryside. She sold some soap and jam and candles, but when the potter she enlisted to make ceramics couldn’t keep up with demand, she decided to make them herself. Thanks to her very personal aesthetic and the intimate photography she did of her work amidst her actual family life in the faded glamour of her old house and the power of Instagram, the rest is history. The shop closed, and the ceramics took off. Wilson’s work is fantastical and intelligent, mining the history of decorative arts and her own personal passions, and so deeply human and obviously handmade. Her signature technique is slipware—a style associated with the Staffordshire potteries of the 17th century, created by coating semi-hard red clay with a ‘slip’ of liquid white clay. She then uses the centuries-old Roman decorative technique of sgraffito( meaning scratched), where she etches her vigorous, sinuous line drawings into the wet surface to reveal the red clay beneath.
Lead Time:
6 Weeks
Sudpsuez Sophie Wilson Medium Decorative Plate
When Sophie Wilson’s three youngest children were small, she decided to open a little shop in the entry hall of her gorgeously dilapidated 16th-century manor house in the English countryside. She sold some soap and jam and candles, but when the potter she enlisted to make ceramics couldn’t keep up with demand, she decided to make them herself. Thanks to her very personal aesthetic and the intimate photography she did of her work amidst her actual family life in the faded glamour of her old house and the power of Instagram, the rest is history. The shop closed, and the ceramics took off. Wilson’s work is fantastical and intelligent, mining the history of decorative arts and her own personal passions, and so deeply human and obviously handmade. Her signature technique is slipware—a style associated with the Staffordshire potteries of the 17th century, created by coating semi-hard red clay with a ‘slip’ of liquid white clay. She then uses the centuries-old Roman decorative technique of sgraffito( meaning scratched), where she etches her vigorous, sinuous line drawings into the wet surface to reveal the red clay beneath.
Lead Time:
6 Weeks
Sudpsuez Sophie Wilson Small Decorative Plate
When Sophie Wilson’s three youngest children were small, she decided to open a little shop in the entry hall of her gorgeously dilapidated 16th-century manor house in the English countryside. She sold some soap and jam and candles, but when the potter she enlisted to make ceramics couldn’t keep up with demand, she decided to make them herself. Thanks to her very personal aesthetic and the intimate photography she did of her work amidst her actual family life in the faded glamour of her old house and the power of Instagram, the rest is history. The shop closed, and the ceramics took off. Wilson’s work is fantastical and intelligent, mining the history of decorative arts and her own personal passions, and so deeply human and obviously handmade. Her signature technique is slipware—a style associated with the Staffordshire potteries of the 17th century, created by coating semi-hard red clay with a ‘slip’ of liquid white clay. She then uses the centuries-old Roman decorative technique of sgraffito( meaning scratched), where she etches her vigorous, sinuous line drawings into the wet surface to reveal the red clay beneath.
Lead Time:
6 Weeks
Sudpsuez Sophie Wilson Small Decorative Plate
When Sophie Wilson’s three youngest children were small, she decided to open a little shop in the entry hall of her gorgeously dilapidated 16th-century manor house in the English countryside. She sold some soap and jam and candles, but when the potter she enlisted to make ceramics couldn’t keep up with demand, she decided to make them herself. Thanks to her very personal aesthetic and the intimate photography she did of her work amidst her actual family life in the faded glamour of her old house and the power of Instagram, the rest is history. The shop closed, and the ceramics took off. Wilson’s work is fantastical and intelligent, mining the history of decorative arts and her own personal passions, and so deeply human and obviously handmade. Her signature technique is slipware—a style associated with the Staffordshire potteries of the 17th century, created by coating semi-hard red clay with a ‘slip’ of liquid white clay. She then uses the centuries-old Roman decorative technique of sgraffito( meaning scratched), where she etches her vigorous, sinuous line drawings into the wet surface to reveal the red clay beneath.
Lead Time:
6 Weeks
Sudpsuez Sophie Wilson Small Decorative Plate
When Sophie Wilson’s three youngest children were small, she decided to open a little shop in the entry hall of her gorgeously dilapidated 16th-century manor house in the English countryside. She sold some soap and jam and candles, but when the potter she enlisted to make ceramics couldn’t keep up with demand, she decided to make them herself. Thanks to her very personal aesthetic and the intimate photography she did of her work amidst her actual family life in the faded glamour of her old house and the power of Instagram, the rest is history. The shop closed, and the ceramics took off. Wilson’s work is fantastical and intelligent, mining the history of decorative arts and her own personal passions, and so deeply human and obviously handmade. Her signature technique is slipware—a style associated with the Staffordshire potteries of the 17th century, created by coating semi-hard red clay with a ‘slip’ of liquid white clay. She then uses the centuries-old Roman decorative technique of sgraffito( meaning scratched), where she etches her vigorous, sinuous line drawings into the wet surface to reveal the red clay beneath.
Lead Time:
6 Weeks
Sudpsuez Tillid by Sophie Coryndon
Sudpsuez Tito Agnoli Rattan Sofa
Designed by Italian architect Tito Agnoli, this rattan sofa is a standout piece of mid-century design. Its low profile and sweeping curves are crafted from finely coiled rattan, offering a relaxed yet sculptural addition to any space. Perfect for indoor or outdoor use.
Pieces can be reserved upon request and shipped at your convenience.
Sudpsuez Tole Chinoiserie Two Tier Tray Table
A two-tier tray table in black tole metalwork, each circular tier adorned with hand-painted chinoiserie decoration. The structure is supported by slim faux bamboo uprights and gold accents, combining utility with decorative artistry. A refined companion to a sofa or armchair, offering both display and service potential.
Sudpsuez Trellis Style Cane Mirror
Sudpsuez Two Framed Spanish 19th Century Tiles
A distinguished pair of 19th-century Spanish tiles, masterfully hand-painted in vibrant polychrome hues, their intricate motifs a testament to the rich ceramic traditions of Iberia. These tiles, likely crafted in one of Spain’s historic pottery centers, showcase a delicate interplay of Moorish-inspired geometry and Baroque floral ornamentation, reflecting centuries of artistic influence. Encased in an elegant frame, they are preserved not only as decorative elements but as artifacts of a bygone era, offering a tangible connection to the craftsmanship and aesthetic sensibilities of 19th-century Spain.
Wear and tear commiserate with the age of the item.