Sudpsuez Silk: Fibre, Fabric and Fashion
Written by Lesley Ellis Miller, Ana Cabrera Lafuente, Claire Allen-Johnstone
Examining the history and variety of the fabric that has long exemplified luxury, Silk: Fibre, Fabric and Fashion; draws on the extensive collections at the Victoria and Albert Museum. This publication traverses the fascinating history and geography of silk production while celebrating the creativity and skill of designers and craftsmen across the globe.
Published by Thames & Hudson
Sudpsuez Sims Hilditch: Beautifully British Interiors
Words by Giles Kime
Sims Hilditch creates interiors that epitomize the English country house look of today. The firm embraces, in this, its second, book, the best of old and new British design, traditional materials, and a pared-back aesthetic to create stylishly comfortable rooms for twenty-first-century living.
Spanning the extraordinary breadth of the studio’s most recent work—projects in townhouses, historic country manors, and seaside villas, the interiors in this book reflect the design philosophy of founder Emma Sims-Hilditch: Every house needs to work on a functional level before one even considers the decoration. Spaces, from sumptuous entrance halls and sitting rooms to hardworking kitchens and boot rooms, are organized for efficiency and practicality before the design team introduces an abundance of floral and damask textiles, striking colors, both refined and comfortable furnishings, and decorative trims.
This book not only explores the fruits of complex and rewarding collaborations that artfully breathe new life into old buildings but also offers an insight into an exciting new chapter in the fascinating story of classic English country houses. New materials and technologies, paired with traditional decorative devices, reinvigorate a Victorian house in the city, an eighteenth-century country house, a Jacobean manor, an apartment in London’s Old War Office, and many other quintessentially British residences.
The Sims Hilditch team comes to every commission with an open mind, ready to respond to the setting and architecture and create something original for each client, a style that is classic and comfortable but also highly relevant to the shift in the way many people are now living.
Published by Rizzoli
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Sudpsuez Textile Art Masterpieces: Tapestries and Embroideries in the Zaleski Collection
Curated by Moshe Tabibnia and Elisabetta Mero
Texts by Nello Forti Grazzini, Chiara Buss, and Gianluca Bovenz
This book provides a full picture of the Zaleski Collection as it was in early 2014, and therefore includes all the additions made since the beginning of its formation in the 1990s. Indeed, this is one of the largest and finest private collections in Europe. As such, it can be regarded as an anthology of the most beautiful and interesting historic textile artefacts that appeared on the international antique market in recent years.
The volume is divided into three parts. The first one comprises introductory texts presenting the collection as a whole. The second part contains the catalogue entries. Finally, the third part includes analytical data sheets complementing the catalogue entries.
Through the mostly unpublished analysis of nearly 80 splendid art pieces, the authors brought to light elements offering new perspectives for the study of antique textile artefacts. Furthermore, their essays disclosed the history and manufacturing techniques of the tapestries and embroideries examined.
Published by Moshe Tabibnia
Sudpsuez Textile of the Middle East and Central Asia – The Fabric of Life
Words by Fahmida Sulehman
A beautifully illustrated exploration of the textile traditions of a culturally diverse region, from the late eighteenth century to the present day, featuring works from the extraordinary textile collection at the British Museum Textiles of the Middle East and Central Asia explores the significance and beauty of textiles from across the Middle East, Turkey, and Central Asia. This vast region has been the focus of population movements, exploration, and trade for thousands of years and is home to a wealth of textile traditions. From the intricate embroidery on a Palestinian wedding dress to the complex iconography on an Afghan war rug, textiles reflect the beliefs, practices, and experiences of people from these lands. The book is arranged thematically with pieces grouped according to their purpose or meaning, enabling, for example, the comparison of domestic furnishings, wedding attire, and children’s garments from across the region. The book also includes contemporary works that grapple with modern political issues. The textiles featured include male and female garments, hats and headdresses, rugs and felts, children’s clothing, dolls, tent hangings, amulets and animal harnesses. Focusing on the British Museum’s remarkable collection, Textiles of the Middle East and Central Asia offers a wealth of creative inspiration and will be essential reading for anyone interested in textiles and the cultures of the Middle East and Central Asia.
Sudpsuez Textiles of China and Central Asia
Words by Mariachiara Gasparini, Jacqueline Simcox, Eiren Shea
A captivating journey through the rich tapestry of Asian history, this beautiful and informative book delves into the opulent world of historic textiles. Covering a period when decorative textiles were the ultimate luxury, it showcases the craftsmanship, cultural significance, and artistic expressions woven into each cloth.
It provides a comprehensive overview of the Silk Road and the exchange of ideas, goods, and techniques that fueled the flourishing textile industry across Asia over centuries, from the Byzantine Empire to the Tang and Song dynasties and beyond.
A series of engaging essays highlights the significant features of The Silk Road Textile Collection, exploring the samites of Central Asia with their luxurious silk and intricately woven animal and geometric patterns; studying the exquisite embroideries of the Liao dynasty up close; and examining the imperial textiles of the Ming and Qing dynasties, when power and prestige were expressed through sumptuous court costume.
Perfect for art lovers, historians, and all those captivated by the beauty of textiles, this impeccably packaged volume unravels the fascinating stories embedded in the fabric of ancient Asia.
Published by Prestel
Sudpsuez Textiles of Indonesia: The Thomas Murray Collection
Written by Thomas Murray
Contributions by Lorraine V. Aragon, Joanna Barrkman, Christopher Buckley, Kristal Hale, Valerie Hector, Janet Alison Hoskins, Itie van Hout, Etsuko Iwanaga, Fiona Kerlogue, Eric Kjellgren, Brigitte Khan Majlis, Robyn Maxwell and Sandra Sardjono.
Drawn from one of the world's leading textile collections, this magnificently presented array of traditional weavings from the Indonesian archipelago provides a unique window into the region's cultures, rites, and history. Gathered over the course of four decades, the Thomas Murray collection of Indonesian textiles is one of the most important in the world. The objects comprise ritual clothing and ceremonial cloths that tell us much about the traditions of pre-Islamic Indonesian cultures, as well as the influences of regional trade with China, India, the Arab world, and Europe. As with the earlier volume, Textiles of Japan (Prestel, 2018), the book focuses on some of the finest cloths to come out of the archipelago, presenting each object with impeccable photographs.
Geographically arranged, this volume pays particular attention to textiles from the Batak and the Lampung region of Sumatra, the Dayak of Borneo, and the Toraja of Sulawesi, as well as rare textiles from Sumba, Timor, and other islands. Readers will learn about the intricate traditions of dyeing, weaving, and beading techniques that have been practiced for centuries. Original texts by international experts offer historical context, unspool the mysteries behind ancient iconography, and provide new insights into dating and provenance. At once opulent and scholarly, this book arrives at a moment of growing interest in Southeast Asian culture and carries the imprimatur of one of the art world's leading collectors.
With contributions from Lorraine V. Aragon, Joanna Barrkman, Christopher Buckley, Kristal Hale, Valerie Hector, Janet Alison Hoskins, Itie van Hout, Etsuko Iwanaga, Fiona Kerlogue, Eric Kjellgren, Brigitte Khan Majlis, Robyn Maxwell, Thomas Murray and Sandra Sardjono.
Published by HALI Books
Sudpsuez Textiles, The Art of Mankind
Written by Mary Schoeser
Textiles are the most ubiquitous, diverse, and consistently creative art form on the planet. This major new work comprises more than one thousand images that highlight the beauty, subtlety, simplicity, or complexity of textiles created around the world. Based on the knowledge accrued over a lifetime of immersion in the textile arts, Mary Schoeser’s definitive text offers sweeping insight into the role that textiles have played throughout human civilization. The juxtaposition of historical and contemporary examples highlights the skill and imagination of textile designers through the centuries as well as the remarkable range of achievements. Detailed images and informed captions illustrate the variety and allure of textiles, and the informative descriptions include histories of private collections, underscoring the importance of context for appreciating the exquisite detail of fabric and cloth. An extensive resource section provides valuable information about museum and textile associations across the globe.
Published by Thames & Hudson
Sudpsuez The Art of Native American Washoe Basketry
Words by Ann M. Wolfe
This large-scale book presents breathtaking Native American basketry made by the Washoe people who have lived in the Lake Tahoe region of California and Nevada for millennia.
This book explores fine art and functional basketry made by Washoe weavers, who are recognized for their intricate and meticulous weaving techniques and complex designs. Drawing inspiration and natural materials from their ancestral homelands, Washoe baskets reflect the deep cultural reverence of their makers for the environment, particularly the sacred site of Lake Tahoe, the surrounding Sierra Nevada, and adjacent valleys. Among Washoe weavers, Louisa Keyser, also known as Datsolalee, is widely regarded as one of the most innovative, important, and famous basketmakers in North America. The book provides a deeper understanding of the cultural, historical, and political contexts in which these remarkable baskets were created, making it an essential read for anyone interested in Indigenous art and culture.
Published by Rizzoli
Sudpsuez The Art of Tapestry
Words by Helen Wyld
Woven with dazzling images from history, mythology and the natural world, and breath-taking in their craftsmanship, tapestries were among the most valuable and high-status works of art available in Europe from the medieval period to the end of the eighteenth century. Over 600 historic examples hang in National Trust properties in England and Wales – the largest collection in the UK.
This beautifully illustrated study by tapestry expert Helen Wyld, in association with the National Trust, offers new insights into these works, from the complex themes embedded in their imagery, to long-forgotten practices of sacred significance and ritual use. The range of historical, mythological and pastoral themes that recur across the centuries is explored, while the importance of the 'revival' of tapestry from the late nineteenth century is considered in detail for the first time. Although focussed on the National Trust's collection, this book offers a fresh perspective on the history of tapestry across Europe.
Both the tapestry specialist and the keen art-history enthusiast can find a wealth of information here about woven wall hangings and furnishings, including methods of production, purchase and distribution, evolving techniques and technologies, the changing trends of subject matter across time, and how tapestries have been collected, used and displayed in British country houses across the centuries.
Published by Bloomsbury Publishing
Sudpsuez The Book of Printed Fabrics: From the 16th Century Until Today
In the far east of France, close to the German and Swiss borders, lies the historic city of Mulhouse. During the early 19th century, it became one of the leading centres of textile manufacture in the country. Today it is home to the Musée de l’Impression sur Étoffes, a museum dedicated entirely to the history of fabric printing from the 17th century right up to the present day.
Few are the serious fashion designers who have not come to visit this astonishing temple to textiles. This book, however, gives you the key to those vaults, presenting on its broad pages perfectly captured images of its collections that span four different continents – recounting a fascinating artistic and technological adventure across the world, from its origins in India to the most contemporary creations.
Across two volumes, you’ll discover nine luxuriantly illustrated chapters that being to glorious life a chronological and thematic overview of the Musée’s unprecedented retrospective of the art of printed fabrics. And that journey begins in India, with the first volume devoted to the far east origins of the designs that made these prints famous, and how they came over to the factories of Europe. You’ll also find here stories and images detailing artistic innovations such as toile de Jouy and the development of new colour ranges.
In the second volume, the reader can look back at the incredible inventiveness of manufacturers and their designers throughout the nineteenth and twentieth centuries. Explore eye-catching cashmere motifs and the intense passion for nature and flowers that emerged under the Second Empire, before the artistic avant-gardes and modernity profoundly evolved the artistic creation of textile prints.
With nearly 900 pieces reproduced here to the highest possible standard, you will journey through the extraordinary tapestry of motifs and colours, that make this book such a peerless source of inspiration for textile enthusiasts of all kinds.
Sudpsuez The Cottage in Interwar England
Words by George Entwistle
The 20 years between First and Second World Wars were a time of dramatic development for English people and their homes. By the end of the 1930s, one family in three was living in an interwar house. But one thing that did not change was the sentimental affection of the English for the idea of the cottage picturesque – a problematic continuity, with class and cultural dimensions, that inflected English domestic architecture long after the theorisation of the Picturesque in the 1790s.
This book explores the powerful hold on the national imagination of cottage architecture in the interwar period and its hitherto under-examined influence on the politics and aesthetics of class, council housing, conservation, and on the 1920s and 1930s boom in speculative house-building. The book examines the relationships between working-class council houses specifically steered away from looking like the cottage picturesque; traditional cottages appropriated by middle-class weekenders, adopted by conservationists, and mythologised by politicians in the 1920s; new-build speculative housing that the public bought (in the 1920s and 1930s) and architects deprecated because it was designed to evoke the cottage; and early modernist houses, celebrated by architects but treated with suspicion by the public because their aesthetics were at odds with the Picturesque tradition.
Published by Lund Humphries
Sudpsuez The Gardens of Bunny Mellon by Linda Jane Holden
Words by Linda Jane Holden
Photographs by Roger Foley
The first study of the gardens and landscapes of Bunny Mellon, written by a leading specialist, illustrated with both new and archival photography.
Throughout her long and storied life, Rachel "Bunny" Mellon's greatest passion was garden design. She and her husband, Paul Mellon, one of the wealthiest men in America, maintained homes in New York, Cape Cod, Nantucket, Antigua, and Upperville, Virginia, and she designed the gardens at all of them. She also designed gardens for some of her dearest friends, including the Rose Garden and the East Garden at the White House, at the request of President Kennedy, and the gardens at both the Paris home and the château of couturier Hubert de Givenchy.
All of these gardens are featured in The Gardens of Bunny Mellon, illustrated with Mellon's own garden plans, sketches, and watercolors. Much like one of Mellon's landscapes, The Gardens of Bunny Mellon slowly matured over several years, allowing the gifted landscape photographer Roger Foley to record Oak Spring, her cherished Virginia home, in all four seasons. The book also features vintage photographs by Horst, Aarons, and others of Mellon's gardens for her homes in Cape Cod, Antigua, and New York. Author Linda Jane Holden's text is based on extensive interviews with Mellon before Mellon's death at age 103 in 2014.
Published by Vendome Press