Sudpsuez Mirandola Linen Napkins, Blue (Set of 4)
These unique napkins are printed by hand using wooden blocks, an ancient tradition kept alive in Italy by a small cadre of master artisans. Made in Emilia-Romagna, the Mirandola napkin features an ornate floral motif that stands as a testament to the quality of historic craftsmanship. We believe they can be used in every imaginable setting, but are especially fond of pairing them with our Papyrus plates and Persian tablecloths. Set of 4.
Lead Time
4-6 Weeks
Sudpsuez Mirandola Linen Placemat Blue
These unique placemats are printed by hand using wooden blocks, an ancient tradition kept alive in Italy by a small cadre of master artisans. Made in Emilia-Romagna, the Mirandola napkin features an ornate floral motif that stands as a testament to the quality of historic craftsmanship.
Lead Time
4-6 Weeks
Sudpsuez Mirandola Linen Placemat Red
These unique placemats are printed by hand using wooden blocks, an ancient tradition kept alive in Italy by a small cadre of master artisans. Made in Emilia-Romagna, the Mirandola napkin features an ornate floral motif that stands as a testament to the quality of historic craftsmanship.
Lead Time
4-6 Weeks
Sudpsuez Mirandola Linen Tablecloth Multicolor, Square
The Mirandola tablecloth features a hand-stamped central pattern in subtle shades of green, red, and gold. Its edges are further adorned with two repeating floral motifs. We at love these tablecloths for the exquisite craftsmanship they display in such stylish evidence. Perfect for either formal dinners or casual lunches with friends, the Mirandola tablecloth is sure to delight all seated around it.
Sudpsuez Mirandola Linen Tablecloth Red
These unique tablecloths are printed by hand using wooden blocks, an ancient tradition kept alive in Italy by a small cadre of master artisans. Made in Emilia-Romagna, they feature a red motif of classic floral ornaments in two borders around a central cluster and stand as a testament to the quality of historic craftsmanship.
Lead Time
4-6 Weeks
Sudpsuez Mirandola Linen Tablecloth Red, Square
These unique tablecloths are printed by hand using wooden blocks, an ancient tradition kept alive in Italy by a small cadre of master artisans. Made in Emilia-Romagna, they feature a red motif of classic floral ornaments in two borders around a central cluster and stand as a testament to the quality of historic craftsmanship.
Lead Time
4-6 Weeks
Sudpsuez Siena Napkins (Set of 4)
These elegant napkins are hand-printed using wooden blocks, an ancient tradition kept alive in Italy by a small cadre of master artisans. Inspired by a 15th century Sienese painter, they feature a classical ornamental pattern in gold. Add to your table to create a refined, old world glamour for your festive table setting. Set of Four.
Lead Time
4-6 Weeks
Sudpsuez Sophie Wilson Jardinière
When Sophie Wilson’s three youngest children were small, she decided to open a little shop in the entry hall of her gorgeously dilapidated 16th-century manor house in the English countryside. She sold some soap and jam and candles, but when the potter she enlisted to make ceramics couldn’t keep up with demand, she decided to make them herself. Thanks to her very personal aesthetic and the intimate photography she did of her work amidst her actual family life in the faded glamour of her old house and the power of Instagram, the rest is history. The shop closed, and the ceramics took off. Wilson’s work is fantastical and intelligent, mining the history of decorative arts and her own personal passions, and so deeply human and obviously handmade. Her signature technique is slipware—a style associated with the Staffordshire potteries of the 17th century, created by coating semi-hard red clay with a ‘slip’ of liquid white clay. She then uses the centuries-old Roman decorative technique of sgraffito( meaning scratched), where she etches her vigorous, sinuous line drawings into the wet surface to reveal the red clay beneath.
Lead Time:
6 Weeks
Sudpsuez Sophie Wilson Lamp Base & Atelier Vime Lampshade
When Sophie Wilson’s three youngest children were small, she decided to open a little shop in the entry hall of her gorgeously dilapidated 16th-century manor house in the English countryside. She sold some soap and jam and candles, but when the potter she enlisted to make ceramics couldn’t keep up with demand, she decided to make them herself. Thanks to her very personal aesthetic and the intimate photography she did of her work amidst her actual family life in the faded glamour of her old house and the power of Instagram, the rest is history. The shop closed, and the ceramics took off. Wilson’s work is fantastical and intelligent, mining the history of decorative arts and her own personal passions, and so deeply human and obviously handmade. Her signature technique is slipware—a style associated with the Staffordshire potteries of the 17th century, created by coating semi-hard red clay with a ‘slip’ of liquid white clay. She then uses the centuries-old Roman decorative technique of sgraffito( meaning scratched), where she etches her vigorous, sinuous line drawings into the wet surface to reveal the red clay beneath.
Lead Time:
6 Weeks
Sudpsuez Sophie Wilson Medium Decorative Plate
When Sophie Wilson’s three youngest children were small, she decided to open a little shop in the entry hall of her gorgeously dilapidated 16th-century manor house in the English countryside. She sold some soap and jam and candles, but when the potter she enlisted to make ceramics couldn’t keep up with demand, she decided to make them herself. Thanks to her very personal aesthetic and the intimate photography she did of her work amidst her actual family life in the faded glamour of her old house and the power of Instagram, the rest is history. The shop closed, and the ceramics took off. Wilson’s work is fantastical and intelligent, mining the history of decorative arts and her own personal passions, and so deeply human and obviously handmade. Her signature technique is slipware—a style associated with the Staffordshire potteries of the 17th century, created by coating semi-hard red clay with a ‘slip’ of liquid white clay. She then uses the centuries-old Roman decorative technique of sgraffito( meaning scratched), where she etches her vigorous, sinuous line drawings into the wet surface to reveal the red clay beneath.
Lead Time:
6 Weeks
Sudpsuez Sophie Wilson Medium Decorative Plate
When Sophie Wilson’s three youngest children were small, she decided to open a little shop in the entry hall of her gorgeously dilapidated 16th-century manor house in the English countryside. She sold some soap and jam and candles, but when the potter she enlisted to make ceramics couldn’t keep up with demand, she decided to make them herself. Thanks to her very personal aesthetic and the intimate photography she did of her work amidst her actual family life in the faded glamour of her old house and the power of Instagram, the rest is history. The shop closed, and the ceramics took off. Wilson’s work is fantastical and intelligent, mining the history of decorative arts and her own personal passions, and so deeply human and obviously handmade. Her signature technique is slipware—a style associated with the Staffordshire potteries of the 17th century, created by coating semi-hard red clay with a ‘slip’ of liquid white clay. She then uses the centuries-old Roman decorative technique of sgraffito( meaning scratched), where she etches her vigorous, sinuous line drawings into the wet surface to reveal the red clay beneath.
Lead Time:
6 Weeks
Sudpsuez Sophie Wilson Small Decorative Plate
When Sophie Wilson’s three youngest children were small, she decided to open a little shop in the entry hall of her gorgeously dilapidated 16th-century manor house in the English countryside. She sold some soap and jam and candles, but when the potter she enlisted to make ceramics couldn’t keep up with demand, she decided to make them herself. Thanks to her very personal aesthetic and the intimate photography she did of her work amidst her actual family life in the faded glamour of her old house and the power of Instagram, the rest is history. The shop closed, and the ceramics took off. Wilson’s work is fantastical and intelligent, mining the history of decorative arts and her own personal passions, and so deeply human and obviously handmade. Her signature technique is slipware—a style associated with the Staffordshire potteries of the 17th century, created by coating semi-hard red clay with a ‘slip’ of liquid white clay. She then uses the centuries-old Roman decorative technique of sgraffito( meaning scratched), where she etches her vigorous, sinuous line drawings into the wet surface to reveal the red clay beneath.
Lead Time:
6 Weeks