Sudpsuez Illustrated Catalog of American Fruit and Nuts

Words by Francois Halard

The master photographer’s compelling images of his two most intimate passions: art and flowers.

“His photography has an innate capacity to evoke emotion and tell stories that linger in the mind long after the image is seen,” writes Dries Van Noten in the foreword to this two-volume series of images.

Long revered for his personal photography of the world’s most celebrated buildings and interiors, Halard strikes a new path with two new bodies of work. Confined to his house in Arles after a shoulder injury in early 2024, Halard began photographing the objects immediately surrounding him with his Polaroid camera. In turns traditional and abstract, the Flowers series is a captivating exploration of nature’s beauty. As beautifully described by fashion designer Dries Van Noten, “The Polaroid captures a fleeting moment, blossoming into a lasting memory, while the real flower, vibrant and alive, ultimately withers away, reminding us that beauty can be both preserved and ephemeral.”

In the second series, Art, Halard has enlarged a select number of his Polaroids, which he then worked on top with paint, wax, and other materials to give the final results a strong, layered sense of history and memory. Many of the images are made of ancient statuaries or details of Renaissance paintings from Italy and Greece—the tight crop of a marble head, or the folds of 15th-century drapery. “I am delving into the idea that antiquity can be modern,” Halard states in his interview with art curator Bice Curiger, “I like to start with a specific object to turn it into another, transitory object.” Halard’s transformation of the ephemeral into the permanent, in the case of his flowers; and the permanent into the ephemeral, in the case of his Classical-inspired artworks—give power and beauty to these compelling images.

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Words by Giles Kime

Sims Hilditch creates interiors that epitomize the English country house look of today. The firm embraces, in this, its second, book, the best of old and new British design, traditional materials, and a pared-back aesthetic to create stylishly comfortable rooms for twenty-first-century living.

Spanning the extraordinary breadth of the studio’s most recent work—projects in townhouses, historic country manors, and seaside villas, the interiors in this book reflect the design philosophy of founder Emma Sims-Hilditch: Every house needs to work on a functional level before one even considers the decoration. Spaces, from sumptuous entrance halls and sitting rooms to hardworking kitchens and boot rooms, are organized for efficiency and practicality before the design team introduces an abundance of floral and damask textiles, striking colors, both refined and comfortable furnishings, and decorative trims.

This book not only explores the fruits of complex and rewarding collaborations that artfully breathe new life into old buildings but also offers an insight into an exciting new chapter in the fascinating story of classic English country houses. New materials and technologies, paired with traditional decorative devices, reinvigorate a Victorian house in the city, an eighteenth-century country house, a Jacobean manor, an apartment in London’s Old War Office, and many other quintessentially British residences.

The Sims Hilditch team comes to every commission with an open mind, ready to respond to the setting and architecture and create something original for each client, a style that is classic and comfortable but also highly relevant to the shift in the way many people are now living.

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