Sudpsuez New York City Guide
$45.00
Description
Published by SRL in collaboration with Ralph Lauren
In a city where trends come and go overnight, one thing remains constant—word of mouth is king. That’s why Cabana’s New York City Guide is more than just a travel companion; it’s your passport to the most authentic, stylish, and hidden corners of the Big Apple.
Carefully curated by the Big Family, our NYC guidebook is a treasure trove of local secrets and insider recommendations that only seasoned New Yorkers know. Whether you’re seeking out unmarked speakeasies, family-run restaurants with decades of heritage, or architectural marvels tucked between the skyscrapers, this guide leads you beyond the beaten path and into the heart of the city’s cultural soul.
Explore neighborhoods through the eyes of artists, designers, and tastemakers who call New York home. Uncover hidden gems, off-the-radar experiences, and timeless classics that rarely make it into traditional guidebooks. From downtown’s coolest corners to uptown’s historic hideaways, this is the New York that locals live for—and now, so can you.
Perfect for curious travelers, seasoned city lovers, and design aficionados alike, Cabana’s New York City Guide invites you to experience the city’s timeless magic and ever-evolving vibrancy.
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Words by Alexis Kugel
This exhibition, Galerie Kugel’s tenth, continues the tradition of seeking out little-known but fascinating fields in the art world. Renaissance automaton clocks have never been the subject of scientific study, authors of horological reference works devoting at best merely a chapter to them.
These automaton clocks date from 1580 to 1630 and were for the most part created in Augsburg, the main German artistic centre of the time. These wonderful objects combine the arts of sculpture and horology. Rivalling in fantasy and ingenuity, they fascinated the European courts. Today, they can be found in museums holding great princely collections in Vienna, Dresden, Munich. Automaton clocks were also used as diplomatic presents.
The thirty-one automaton clocks presented in this exhibition and book are the largest group ever displayed. While studying them we have made surprising discoveries. For example, the troubling similarities between some of the most extraordinary anonymous clocks displayed here: the Elephant (cat. 3), the large Pacing Lion and his Tamer (cat. 7), the large Seated Lion (cat. 9), and the Chariot of Bacchus (cat. 11), which strongly argue for their having been produced in the same workshop. Among all the clocks published in this book, only one comes from Nuremberg (cat. 21). The chronological presentation that we chose also led us to rethink the conventional dating of certain pieces.
The title “Mechanical Bestiary” is somewhat restrictive, for among the clocks presented here, a quarter represent human figures without animals, and certain pieces possess no mechanical movements. Yet the thirty-one pieces assembled here clearly form a homogeneous and coherent whole. All were created for the same reason: to amuse and delight the collectors of their time.
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