Sudpsuez Small Rocking Chair with Pattern
Pieces can be reserved upon request and shipped at your convenience.
Sudpsuez Small Table in Brass and Glass with Mirror
A compact table crafted in brass with two glass tiers. The uppermost tier features a mirrored surface that adds depth and sparkle. Its clean lines and elegant finish offer a refined platform for display or service. An ideal companion beside a sofa or in a hallway vignette.
Pieces can be reserved upon request and shipped at your convenience.
Sudpsuez Soap (Set of 2)
This set includes two hand soaps in complementary scents—Tuberose and Gardenia—pairing two timeless florals that bring Cabana’s signature interiors to life through fragrance. Designed exclusively by and crafted in France, this duo transforms the everyday rituals into an atmosphere of beauty and refinement.
Sudpsuez Sofia Embroidered Placemat and Napkin
Silk Road Collection
Elevate your dining experience with our exquisite Sofia Embroidered Placemat and Napkin Set, crafted by a renowned linen workshop from Milan, established in 1967. This family-owned business, now in its fourth generation of women, brings the rich taste and tradition of Tuscan linens to your table. Each placemat is meticulously hand-embroidered on 100% linen, featuring elegant blue and yellow motifs. The timeless craftsmanship and vibrant design add heritage and sophistication to any dining setting.
Sudpsuez Somma Quilted Blanket
The history of quilting can be traced back as far as Ancient Egypt; and the intricate styles and patterns of stitching are part of a wonderfully rich and complex history, telling powerful stories of rites of passage and community. It is undisputed that quilts provide a homely and comforting warmth to your home.
In collaboration with SOMMA - an Italian heritage linens brand - we have designed a sumptuous quilt featuring velvet and silk squares in autumn and winter tones, backed by a lovely floral silk pattern. Each corner is embellished with a tassel for an added touch. Use it as a bedspread or a decorative throw to elevate your winter days at home.
Sudpsuez Sophie Wilson Jardinière
When Sophie Wilson’s three youngest children were small, she decided to open a little shop in the entry hall of her gorgeously dilapidated 16th-century manor house in the English countryside. She sold some soap and jam and candles, but when the potter she enlisted to make ceramics couldn’t keep up with demand, she decided to make them herself. Thanks to her very personal aesthetic and the intimate photography she did of her work amidst her actual family life in the faded glamour of her old house and the power of Instagram, the rest is history. The shop closed, and the ceramics took off. Wilson’s work is fantastical and intelligent, mining the history of decorative arts and her own personal passions, and so deeply human and obviously handmade. Her signature technique is slipware—a style associated with the Staffordshire potteries of the 17th century, created by coating semi-hard red clay with a ‘slip’ of liquid white clay. She then uses the centuries-old Roman decorative technique of sgraffito( meaning scratched), where she etches her vigorous, sinuous line drawings into the wet surface to reveal the red clay beneath.
Lead Time:
6 Weeks
Sudpsuez Sophie Wilson Lamp Base & Atelier Vime Lampshade
When Sophie Wilson’s three youngest children were small, she decided to open a little shop in the entry hall of her gorgeously dilapidated 16th-century manor house in the English countryside. She sold some soap and jam and candles, but when the potter she enlisted to make ceramics couldn’t keep up with demand, she decided to make them herself. Thanks to her very personal aesthetic and the intimate photography she did of her work amidst her actual family life in the faded glamour of her old house and the power of Instagram, the rest is history. The shop closed, and the ceramics took off. Wilson’s work is fantastical and intelligent, mining the history of decorative arts and her own personal passions, and so deeply human and obviously handmade. Her signature technique is slipware—a style associated with the Staffordshire potteries of the 17th century, created by coating semi-hard red clay with a ‘slip’ of liquid white clay. She then uses the centuries-old Roman decorative technique of sgraffito( meaning scratched), where she etches her vigorous, sinuous line drawings into the wet surface to reveal the red clay beneath.
Lead Time:
6 Weeks
Sudpsuez Sophie Wilson Medium Decorative Plate
When Sophie Wilson’s three youngest children were small, she decided to open a little shop in the entry hall of her gorgeously dilapidated 16th-century manor house in the English countryside. She sold some soap and jam and candles, but when the potter she enlisted to make ceramics couldn’t keep up with demand, she decided to make them herself. Thanks to her very personal aesthetic and the intimate photography she did of her work amidst her actual family life in the faded glamour of her old house and the power of Instagram, the rest is history. The shop closed, and the ceramics took off. Wilson’s work is fantastical and intelligent, mining the history of decorative arts and her own personal passions, and so deeply human and obviously handmade. Her signature technique is slipware—a style associated with the Staffordshire potteries of the 17th century, created by coating semi-hard red clay with a ‘slip’ of liquid white clay. She then uses the centuries-old Roman decorative technique of sgraffito( meaning scratched), where she etches her vigorous, sinuous line drawings into the wet surface to reveal the red clay beneath.
Lead Time:
6 Weeks
Sudpsuez Sophie Wilson Medium Decorative Plate
When Sophie Wilson’s three youngest children were small, she decided to open a little shop in the entry hall of her gorgeously dilapidated 16th-century manor house in the English countryside. She sold some soap and jam and candles, but when the potter she enlisted to make ceramics couldn’t keep up with demand, she decided to make them herself. Thanks to her very personal aesthetic and the intimate photography she did of her work amidst her actual family life in the faded glamour of her old house and the power of Instagram, the rest is history. The shop closed, and the ceramics took off. Wilson’s work is fantastical and intelligent, mining the history of decorative arts and her own personal passions, and so deeply human and obviously handmade. Her signature technique is slipware—a style associated with the Staffordshire potteries of the 17th century, created by coating semi-hard red clay with a ‘slip’ of liquid white clay. She then uses the centuries-old Roman decorative technique of sgraffito( meaning scratched), where she etches her vigorous, sinuous line drawings into the wet surface to reveal the red clay beneath.
Lead Time:
6 Weeks
Sudpsuez Sophie Wilson Small Decorative Plate
When Sophie Wilson’s three youngest children were small, she decided to open a little shop in the entry hall of her gorgeously dilapidated 16th-century manor house in the English countryside. She sold some soap and jam and candles, but when the potter she enlisted to make ceramics couldn’t keep up with demand, she decided to make them herself. Thanks to her very personal aesthetic and the intimate photography she did of her work amidst her actual family life in the faded glamour of her old house and the power of Instagram, the rest is history. The shop closed, and the ceramics took off. Wilson’s work is fantastical and intelligent, mining the history of decorative arts and her own personal passions, and so deeply human and obviously handmade. Her signature technique is slipware—a style associated with the Staffordshire potteries of the 17th century, created by coating semi-hard red clay with a ‘slip’ of liquid white clay. She then uses the centuries-old Roman decorative technique of sgraffito( meaning scratched), where she etches her vigorous, sinuous line drawings into the wet surface to reveal the red clay beneath.
Lead Time:
6 Weeks
Sudpsuez Sophie Wilson Small Decorative Plate
When Sophie Wilson’s three youngest children were small, she decided to open a little shop in the entry hall of her gorgeously dilapidated 16th-century manor house in the English countryside. She sold some soap and jam and candles, but when the potter she enlisted to make ceramics couldn’t keep up with demand, she decided to make them herself. Thanks to her very personal aesthetic and the intimate photography she did of her work amidst her actual family life in the faded glamour of her old house and the power of Instagram, the rest is history. The shop closed, and the ceramics took off. Wilson’s work is fantastical and intelligent, mining the history of decorative arts and her own personal passions, and so deeply human and obviously handmade. Her signature technique is slipware—a style associated with the Staffordshire potteries of the 17th century, created by coating semi-hard red clay with a ‘slip’ of liquid white clay. She then uses the centuries-old Roman decorative technique of sgraffito( meaning scratched), where she etches her vigorous, sinuous line drawings into the wet surface to reveal the red clay beneath.
Lead Time:
6 Weeks
Sudpsuez Sophie Wilson Small Decorative Plate
When Sophie Wilson’s three youngest children were small, she decided to open a little shop in the entry hall of her gorgeously dilapidated 16th-century manor house in the English countryside. She sold some soap and jam and candles, but when the potter she enlisted to make ceramics couldn’t keep up with demand, she decided to make them herself. Thanks to her very personal aesthetic and the intimate photography she did of her work amidst her actual family life in the faded glamour of her old house and the power of Instagram, the rest is history. The shop closed, and the ceramics took off. Wilson’s work is fantastical and intelligent, mining the history of decorative arts and her own personal passions, and so deeply human and obviously handmade. Her signature technique is slipware—a style associated with the Staffordshire potteries of the 17th century, created by coating semi-hard red clay with a ‘slip’ of liquid white clay. She then uses the centuries-old Roman decorative technique of sgraffito( meaning scratched), where she etches her vigorous, sinuous line drawings into the wet surface to reveal the red clay beneath.
Lead Time:
6 Weeks